Currently not on view
The Banks of the Oise,
1871
Daubigny traveled to Italy, but his experience as a young restorer of Dutch landscape paintings at the Louvre Museum was more decisive in his approach to the French countryside. Direct observation, painting en plein air (outdoors), and sensitivity to momentary changes in the light and clouds were characteristic of his art. He worked with the Fontainebleau painters,
then moved to Auvers-sur-Oise and traveled on the Seine and Oise Rivers in the botin, a floating studio from which he could move about, from one picturesque river bank to another. This painting is typical of his interest in the gentle landscapes of the Île-de-France and its inhabitants.
Information
1871
- "Recent acquisitions", Record of the Art Museum, Princeton University 9, no. 2 (1950): p. 15., p. 15
- Robert Hellebranth, Charles-François Daubigny: 1817-1878, (Morges: Matute, 1976)., p. 108; no. 316 (illus.)
- Earth's beauty revealed: the nineteenth-century European landscape, (Princeton, NJ: Princeton University Art Museum, 2002)., cat. no. 4