Madonna and Child

Notes

[1] Dan Fellows Platt left his collections to the University but gave his wife life-tenure and the right to sell

• F.M. Perkins, "Dipinti Senesi sconosciuti o idediti", Rassegna d'arte antica e moderna 14 (1914): p. 97-104., p. 97 (illus.)
• Osvald Sirén and Maurice W. Brockwell, Catalogue of a loan exhibition of Italian primitives: in aid of the American War Relief, (New York: F. Kleinberger Galleries, 1917)., no. 102
• Raimond van Marle, "La pittura senese prima di Duccio", Rassegna d'arte antica e moderna 20 (1920): p. 265-273., p. 265
• Raimond van Marle, The development of the Italian schools of painting, (The Hague: M. Nijhoff, 1923-1938)., Vol. 14: p. 52
• Pietro Toesca, Il medioevo, (Torino: Unione Tipografico-Editrice Torinese, 1927)., p. 10038, no. 44
• Lionello Venturi, Pitture italiane in America, illustrate da Lionello Venturi, CCCCXXXVIII tavole, (Milano: U. Hoepli, 1931)., pl. 324
• Bernard Berenson, Italian pictures of the Renaissance: a list of the principal artists and their works, with an index of places, (Oxford, UK: Clarendon Press, 1932)., p. 402

• George H. Edgell, A history of Sienese painting, (New York: L. MacVeagh, 1932).

  , p. 26-33; fig. 24

• Evelyn Sandberg-Vavala, "The Madonnas of Guido da Siena", Burlington magazine 64, no. 375 (Jun., 1934): p. 254-271.

  , p. 260, 262; pl. IID
• Bernard Berenson, Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere, con un indice dei luoghi, (Milano: U. Hoepli, 1936)., p. 231
• E.B. Garrison, Italian Romanesque panel painting; an illustrated index, (Florence: L.S. Olschki, 1949)., p. 20, 62
• The Christ Child in devotional images in Italy during the XIV century, (New York: G. Wittenborn, 1954)., p. 40
• "Accessions of American and Canadian museums, July-September, 1962", Art quarterly 25, no. 4 (Winter, 1962): p. 396, 398 (illus.)., p. 396, 398 (illus.) [incorrect on accession card]
• "Recent acquisitions," Record of the Art Museum, Princeton University 22, no. 1 (1963): p. 15-19., p. 19
• James H. Stubblebine, Guido da Siena, (Princeton, NJ: Princeton University Press, 1964)., p. 63, 66 (illus.)
• "Carl Otto von Kienbusch, Jr. Memorial Galleries: given by Carl Otto von Kienbusch of the Class of 1906," Record othe Art Museum, Princeton University 25, no. 1/2 (1966): 15–19., p. 16 (illus.)
• Bernard Berenson, Italian pictures of the Renaissance: a list of the principal artists and their works with an index of places. Central Italian and North Italian schools, (London: Phaidon, 1968)., p. 244
• B. B. Fredericksen and F. Zeri, Census of pre-nineteenth-century Italian paintings in North American collections, (Cambridge, MA: Harvard University Press, 1972)., p. 99
• John White, Duccio: Tuscan art and the medieval workshop, (New York: Thames and Hudson, 1979)., p. 176, note 13
• Enzo Carli, La pittura senese del Trecento, (Milano: Electa, 1981)., p. 257, note 10
• Alastair Smart, "A Duccio discovery: an early Madonna prototype", Apollo 120, no. 272 (Oct. 1, 1984): p. 226-237., p. 226-37; p. 235, fig. 11
• James H. Stubblebine, "Ugolino di Nerio: old and new in an early Madonna", Apollo 121, no. 280 (Jun., 1985): p. 366-372., p. 372, note 11
• Luciano Bellosi, "Per un contesto cimabuesco senese: a) Guido da Siena e il probabile Dietisalvi di Speme", Prospettiva 61 (Jan., 1991): p. 6-20., p. 6-20
• Barbara T. Ross, "The Mather years 1922-1946," in "An art museum for Princeton: the early years", special issue, Record of the Art Museum, Princeton University 55, no. 1/2 (1996): p. 53–76., fig. 12, p. 63