© The Henry Moore Foundation / Artists Rights Society (ARS), New York
Currently not on view
Oval with Points,
1969–70
More Context
One of the most photographed sculptures on campus, <em>Oval with Points</em> has an amorphous shape that counters the formalism of Princeton's architecture. Henry Moore often found his inspiration in nature, and this work resembles an East African elephant skull kept in his studio. The inner curve is visibly burnished from people sitting on or sliding through it, a fact that delighted the artist.
More About This Object
Information
1969–70
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Sanford C. Reynolds, Jr., John N. Brooks, Jr., Edmund L. Keeley, James M. Markham, and John A. McPhee, the editorial board, "The Putnam sculpture: 20th Century masterpieces give dramatic perspectives to Princeton's familiar vistas", Princeton alumni weekly 70 (Jan. 27, 1970): p. 1214
, p. 14 (illus.) - Patrick Joseph Kelleher, Living with Modern Sculpture: the John B. Putnam, Jr., Memorial Collection, (Princeton, NJ: Princeton University Art Museum, 1982)., p. 112-115 (illus.)
- Jane McCarthy and Laurily K. Epstein, A guide to the sculpture parks and gardens of America, (New York, NY: Michael Kesend Pub., 1996).
- Karin Dienst, ed., Sculpture of Princeton University: including works from the John B. Putnam Jr. Memorial Collection, (Princeton, NJ: Published by the Office of Communications, in association with the Princeton University Art Museum, 2004)., p. 8-9 (illus.)