© Frank Stella / Artists Rights Society (ARS), New York
Currently not on view
Felsztyn I,
1971
The subtle variations between the various color planes in this soaring, irregularly shaped painting result from the collage of materials onto the canvas, creating a low relief that disrupts the flatness of the geometric composition. Seeking to expand the language of abstraction and its treatment of illusionistic depth in painting, Stella looked to architecture as a source of formal inspiration; this painting is part of a series of work that the artist named after wooden synagogues built from the seventeenth to the nineteenth century in Poland. Stella donated this work to the Princeton University Art Museum in honor of his mentor and friend William C. Seitz.
Information
1971
- "Acquisitions of the Art Museum 1976," Record of the Art Museum, Princeton University 36, no. 1 (1977): p. 28-40., p. 36
- Allen Rosenbaum and Francis F. Jones, Selections from The Art Museum, Princeton University, (Princeton, NJ: The Art Museum, Princeton University, 1986), p. 297 (illus.)
- John Wilmerding et al., American Art in the Princeton University Art Museum: volume 1: drawings and watercolors, (Princeton: Princeton University Art Museum; New Haven, CT; London: Yale University Press, 2004), p. 299, checklist no. 106