On view

Art of the Ancient Americas

Celt,

1000–400 BCE

Olmec style
Middle Formative Period
y1972-2
Jade was the most prestigious material used to express religious ideology by the Olmec during the Middle Formative period (1000–400 BCE), when maize agriculture became the core source of the incipient state’s stability and wealth. The Olmec preference for blue-green jade, as exemplified by many of the works on view here, likely related to fecundity, whether through its similarity to plant life or to water, an association heightened by its high polish and translucency. Some objects, such as celts, mimic the form of maize cobs, while others seem to represent sprouting kernels. As one of the hardest materials available, jade was exceptionally difficult to shape. Powdered jade was used as an abrasive to allow slow grinding, sawing, drilling, and polishing, processes that could take years to complete for a single object.

More Context

Finely polished, ground ‘celts’ (pronounced SELTS) of greenstone and jadeite are among the most enigmatic Olmec artifacts. Though shaped as axe heads, they were potent religious objects, often buried in ritual caches. While some Olmec celts bear incised religious designs, the smooth, unmarked surface of many, including this example, draws attention to the rich quality of the stone itself in a manner that, for the Western viewer, may call to mind the sculpture of Constantine Brancusi or Henry Moore. Based on the incised imagery on others, Olmec celts seem to have been associated with the great agricultural staple of Mesoamerican cultures, maize. The basic form of celts is reminiscent of the mature maize ear, the verdant green color symbolic of life, and the axe, as an implement used to clear forests for the planting of maize, may also have been a symbol of maize agriculture. The association of axe blades with agriculture is not unique to Mesoamerica, as attested by the occurrence of similarly symbolic celts from Neolithic Europe. Subsequent peoples of ancient Mesoamerica prized Olmec celts, often including them in their own ritual caches. At some Maya sites, Olmec celts have been found to which were added incised Maya imagery and hieroglyphic texts. Even later in pre-Columbian times, these ancient celts were traded as far south as Costa Rica, where local peoples sliced them into thinner plaques and recarved them once again, adjusting the symbolic role of the already potent object to meet their own religious needs.

Information

Title
Celt
Dates

1000–400 BCE

Medium
Jadeite
Dimensions
21 × 11 × 6 cm (8 1/4 × 4 5/16 × 2 3/8 in.)
Credit Line
Gift of Bernard Sperling
Object Number
y1972-2
Place Made

North America, Mexico, Veracruz, Gulf Coast, Reportedly from Arroyo Pesquero

Culture
Materials

Edward H. Merrin Gallery, New York, sold to Bernard Sperling, New York [1]; 1972, gift of Bernard Sperling to the Princeton University Art Museum.
Notes:
[1] According to Museum accession card, Sperling purchased from Merrin Gallery.