On view

European Art
William R. Elfers Gallery

Study of a Dog,

possibly 1860s

Rosa Bonheur, 1822–1899; born Bordeaux, France; died Thomery (Fontainebleau), France; active Thomery and Paris, France
y1976-23

Bonheur was renowned for her skillful depictions of animals, particularly horses. She made countless sketches of animals whom she kept in a personal menagerie, including dogs, cows, horses, sheep, deer,a gazelle, and even lions. Though the chariot and rider in the drawing are probably imagined, the dog, horses, and pair of lions in her works on view here likely derive from such drawing sessions after life. Bonheur’s interest in animals was not purely aesthetic. She was an avid equestrian, and she bucked gender conventions by wearing men’s clothing—something for which she and her life partner, Nathalie Micas, obtained police permits—and riding astride rather than sidesaddle as was standard for women at the time. She shared these gender-nonconforming practices with one of her favorite authors, George Sand, whose drawing is on view at left.

Information

Title
Study of a Dog
Dates

possibly 1860s

Maker
Medium
Oil on canvas
Dimensions
33.3 × 28.2 cm (13 1/8 × 11 1/8 in.) frame: 46.7 × 41.9 × 5.4 cm (18 3/8 × 16 1/2 × 2 1/8 in.)
Credit Line
Gift of Stuart P. Feld, Class of 1957, and Mrs. Feld
Object Number
y1976-23
Signatures
Signed in paint, lower right: Rosa Bonheur
Culture
Materials

The artist (until 1900; sale, Galerie Georges Petit, Paris, May 30–31 and June 2, 1900, ?lot 1862); art market, Cambridge, MA (ca. 1957/1961; sold to Feld); Mr. and Mrs. Stuart Feld, New York (ca. 1957/1961–1976; gift to the Princeton University Art Museum).