Currently not on view
White Lotuses,
ca. late 14th century
Anonymous
Japanese
Muromachi period, 1333–1568
y1989-18 a-b
Fish and crabs swim around flowering lotuses growing out of a pond. Water—in the form of ponds, lakes, and ocean—and the marine animals within it have always been an integral part of daily life in Japan. The combination of lotus flowers and crabs was a common trope first developed in China during the Song dynasty (960–1279). In Japan, the lotus was often associated with summer, as the flowers bloom in July and August. Here, the painter used the boneless (mokkotsu) technique on the stems, aquatic plants, and rocks in the pond, depicting them without strong outlines, a style that contrasts with the thin, delicate lines of the lotus flowers and leaves.
Information
Title
White Lotuses
Dates
ca. late 14th century
Maker
Medium
Pair of hanging scrolls; ink on paper
Dimensions
Painting (each): 82.5 x 55.5 cm. (32 1/2 x 21 7/8 in.)
Mount (each): 172 x 49 cm. (67 11/16 x 19 5/16 in.)
Credit Line
Museum purchase, gift of the Friends of The Princeton University Art Museum
Object Number
y1989-18 a-b
Place Made
Asia, Japan
Description
Clusters of lotus flowers lean over a quiet pond, where fish swim among the rocks and a crab pull himself onto a leaf. The flowers are portrayed in various stages of bloom, though none are whithering or decaying. Generous leaves set off the blossoms, and re also depicted in a variety of growth that gives life to the plants.
Culture
Period
Materials
Subject
–1989 Acquired by the Princeton University Art Museum, 1989.
- Shimizu, Yoshiaki, and Carolyn Wheelwright, eds. Japanese Ink Paintings. Princeton: The Art Museum, Princeton University, 1976., cat. no. 35, p. 252–61
- "Acquisitions of the Art Museum 1989," Record of the Art Museum, Princeton University 49, no. 1 (1990): p. 24-57., p. 34
- Princeton University Art Museum: Handbook of the Collection (New Haven, CT: Yale University Press, 2007), p. 141 (illus.)
- Princeton University Art Museum: Handbook of the Collections (Princeton, NJ: Princeton University Art Museum, 2013), pg. 308