On view

Art of the Ancient Americas

Labret,

1350–1521

P’urépecha, Mexica, or Ñuù Savi
Late Postclassic Period
y1989-93
The ears and mouth were focal places for body ornament throughout Mesoamerica because they were believed to be the areas where the breath-soul emanated from the body and could be qualified as precious and pleasant. The Mexica emperors known as Hue Tlatoani, “Great Speakers,” were first and foremost orators, and their speech was inflected by their fine lip plugs. According to sixteenth-century accounts, the Mexica restricted who could wear ornaments of certain materials. Gold was limited to the nobility, while obsidian ornaments could be worn by commoners. The combination of gold and obsidian in the same objects, as seen in this case, seems at odds with these sumptuary restrictions. Perhaps they were made and worn by P’urépecha people, who did not abide by the same regulations as the Mexica. Excavations at their capital of Tzintzuntzan, Michoacán, reveal that they embellished fine, thin obsidian ornaments with exotic materials such as turquoise.

More Context

Didactics

In Mesoamerica the labret, or lip-plug, was a piece of jewelry worn only by noble males in Central Mexico. Inserted through a pierced hole in the lower lip, a labret qualified the wearer's speech and breath as precious. The Aztec term for king, tlatoani, literally means "speaker," attesting to the value of refined, poetic rhetoric. As with most Aztec jewelry, these pieces were actually fabricated by artisans from allied groups to the east, including the Eastern Nahuas, Mixtecs, and Zapotecs. This example is unique in the artist's choice of a variety of obsidian with a high hematite content, providing its distinctive red color. The combination of the red hue with the greenish blue color of the turquoise mosaic results in a striking contrast. Turquoise was considered by the Aztecs to be more precious than gold, and they received it principally in tribute from the Pacific coastal region of Oaxaca. The Mixtecs imported large quantities of turquoise through middlemen who shipped it by canoe or sailing raft from the north. It was transported as tesserae (small tiles), which were then carried by Chichimec traders over long distances across formidable mountain ranges and deserts to west Mexico, where it was redistributed and eventually transformed into remarkable creations of mosaic sculpture and ornament.

Information

Title
Labret
Dates

1350–1521

Medium
Red meca obsidian, turquoise, and shell
Dimensions
1.6 × 4.7 × 2.4 cm (5/8 × 1 7/8 × 15/16 in.)
Credit Line
Museum purchase, gift of Herbert L. Lucas, Class of 1950
Object Number
y1989-93
Place Made

North America, Mexico, Puebla, Central Mexico

Culture
Materials

Paul Arany, New York, NY; purchased by the Princeton University Art Museum, 1989.