Currently not on view

Chinese Recluse Lin Bu Greeting a Crane,

early 17th century

Kano Shigenobu 狩野重信, fl. 1620–1640
Japanese
Edo period, 1603–1868
y1992-8
In the sixteenth century, Kano school painting masters created a distinctive style that synthesized Japanese and Chinese pictorial elements and themes. The subject of this painting is the early eleventh-century recluse poet Lin Pu (Lin Heqing). Living in the southern Chinese city of Hangzhou, near scenic West Lake, he was held in high esteem by the imperial court for his virtue and skill at poetry. Lin was well known for his poems on plum blossoms and became synonymous with the flower, and with the qualities of perseverance and purity that it represents. He is commonly painted accompanied by an attendant, a crane, and his beloved plum. This screen is the result of a Japanese artist painting a Chinese theme in a Chinese ink painting style—but presenting an entirely Japanese aesthetic through the use of a lush gold background.

Information

Title
Chinese Recluse Lin Bu Greeting a Crane
Dates

early 17th century

Medium
Two-panel folding screen: ink, color, and gold on paper
Dimensions
174.2 x 189.0 cm. (68 9/16 x 74 7/16 in.)
Credit Line
Museum purchase, John Maclean Magie, Class of 1892, and Gertrude Magie Fund
Object Number
y1992-8
Place Made

Asia, Japan

Marks/Labels/Seals
Artist, “Go” 語, rectangular relief (inverted) Artist, “Ji” 辞, encircled tripod relief (effaced) [the pairing of these two seals with the former inverted is also found on other works by Shigenobu]
Culture

–1992 London Gallery, Ltd. (Tokyo, Japan), sold to the Princeton University Art Museum, 1992.