On view
Nsa agudeɛ (prestige bracelet),
late 19th–20th century
Since the fifteenth-century formation of Akan states, rulers known as ↄmanhene or asantehene have announced their power, displayed wealth, and deflected evil by wearing ahentadeɛ (gold regalia). The ahenkyɛ is the most common Asante crown. The ovals and triangles form a musuyideε (cross) that protects the wearer. A pendant, which resembles triangular asansatoↄ (hawk tails), is carved with patterns and covered in gold leaf to emulate protective gold amulets containing Qu’ranic verses that arrived via trans-Saharan trade routes. It was worn to obtain protection, but not necessarily to indicate Muslim faith. Rings exclusively adorned the fingers of chiefs, who often placed two or more on each hand. Solid or gold-leaf bracelets, however, ornamented both chiefs and the queen mother.
Other adornments symbolized rank and prestige for members of the royal retinue. The Ↄkyeame poma (staff of office) derived from silver-topped European canes introduced in the seventeenth century. Once held by the chief, they are now the insignia of office for the chiefs’ counselors and spokespeople. Their carved finials frequently refer to proverbs with deliberately ambiguous meanings. The carving on this staff possibly means, “When the vulture gives the hyena advice, he heeds it,” alluding to a mutual understanding between like-minded individuals.
More Context
Handbook Entry
The profusion of gold in present-day Ghana was first noted by the Portuguese in 1471, and as a result, the geographic area inhabited by the Akan peoples became known as the Gold Coast. Dazzling displays of gold continue to reflect the splendor and prosperity of Akan royal courts in Ghana and Côte d’Ivoire. Chiefs, principal counselors, the queen mother, and key attendants are bedecked from crown to sandal in an array of cast, repoussé, embossed, and gold-leaf ornaments that express their status and power. The organic, swirling pattern of the chief’s bracelet demonstrates the finesse of Akan goldsmiths.
Information
late 19th–20th century
Africa, Ghana, Kumasi
- "Acquisitions of the Art Museum 1994," Record of the Art Museum, Princeton University 54, no. 1 (1995): p. 40-79., p. 54
- "Selected checklist of objects in the collection of African art," Record of the Art Museum, Princeton University 58, no. 1/2 (1999): p. 77–83., p. 79
- Princeton University Art Museum: Handbook of the Collection (New Haven, CT: Yale University Press, 2007), p. 141 (illus.)
- Princeton University Art Museum: Handbook of the Collections (Princeton, NJ: Princeton University Art Museum, 2013), pg. 308