On view

European Art

Antislavery medallion,

1789 or after 1848

Sèvres Porcelain Manufactory, France, established 1756
y931

In 1787, the Wedgwood ceramics manufactory issued a cameo with a kneeling Black man in shackles, his hands clasped. An inscription surrounding him beseeches: “Am I not a man and a brother?” Some medallions of the image were worn as jewelry; this one was set into a tile at an unknown time.

This representation of an enslaved man became one of the most recognized and reproduced images of antislavery campaigns in Europe and the United States. The Sèvres Porcelain Manufactory, for example, created a version with French text in 1789, although its production was halted by the government out of fears that it might travel to French colonies and incite a revolt among enslaved populations. Although this emblem promotes emancipation, its widespread circulation also reinforced an association between Blackness and subjugation.

More Context

Special Exhibition

Information

Title
Antislavery medallion
Dates

1789 or after 1848

Medium
Porcelain
Dimensions
diam. 8.6 x th. 0.6 cm (3 3/8 x 1/4 in.)
Credit Line
Trumbull-Prime Collection
Object Number
y931
Inscription
Inscription around the rim: "Ne suis-je pas un homme? Un frere?" [Am I not a man and a brother?]
Marks/Labels/Seals
Sèvres mark in gold on back.
Culture
Materials

Mary Hollister Prime (née Trumbull) (1827-1872) and William Cowper Prime, Class of 1843 (1825-1905); 1890 gift to Princeton University Art Museum.