Currently not on view
Landscape with a Church beside a Lake with Boats,
ca. 1630–40
Guercino created this landscape by overlapping three different sections, similar to the scenography used in seventeenth-century theaters. The foreground is the densest and most heavily inked of the three zones, in sharp contrast to the nearly blank middle ground. A stately Renaissance church dominates the background, and Guercino’s addition of scaffolding to the right of the building provides a modern detail—and thus suggests that the viewer is looking at an actual scene. Guercino’s landscapes, made for his own pleasure or as gifts for others, usually do not depict specific locations but were based on his imagination.
Information
ca. 1630–40
- Master drawings, paintings, gouaches, watercolours: autumn 1968, (New York: Seiferheld and Co., 1968?).
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"The checklist of the John B. Elliott Bequest," Record of the Princeton University Art Museum 61 (2002): p. 49-99.
, p. 50 - Laura Giles, Lia Markey, Claire Van Cleave, et. al., Italian Master Drawings from the Princeton University Art Museum, (Princeton, NJ: Princeton University Art Museum, 2014)., p. 100, cat. no. 42; p. 102 (illus.)