Currently not on view

Crown (adéńlá),

20th century

Yorùbá artist
1998-731
The beaded conical crown (adenla)—the symbol of the sacred authority of the Yoruba king (oba)—can only be worn by those who trace their ancestry to Oduduwa, the first ruler of Ile-Ife, the sacred home of all Yoruba people. The four beaded faces symbolize the wearer’s connection to Oduduwa and to the watchful line of royal ancestors who stand behind him. Traditionally, powerful medicinal substances would be placed into the summit of the crown to intensify the oba’s power. A beaded veil, missing from this example, would shield onlookers from the strength of the oba’s gaze. The birds surmounting the top of the crown signify the power of women who supported and sustained the oba’s right to rule. Though the crown’s iconography refers to the first ruler of the Yoruba from centuries past, the tradition of the beaded adenla probably first developed in the early nineteenth century, when larger quantities of European glass seed beads became available.

Information

Title
Crown (adéńlá)
Dates

20th century

Maker
Yorùbá artist
Medium
Glass beads, wood, cloth, and possibly quill
Dimensions
h. 41.3 cm., diam. 20.8 cm. (16 1/4 x 8 3/16 in.)
Credit Line
Bequest of John B. Elliott, Class of 1951
Object Number
1998-731
Place Made

Africa, Nigeria

Culture
Subject

John B. Elliott, New York, NY; Princeton University Art Museum, 1998