© 2013 Artists Rights Society (ARS), New York / ADAGP, Paris
On view
Theodora Walton William Walton III Pavilion
Untitled,
1965
More Context
Handbook Entry
Born in Cuba, Wifredo Lam moved to Paris in 1938. There he was introduced to such luminaries as Pablo Picasso, Joan Miró, and Fernand Léger. In 1939, after a period spent immersing himself in both modern and non-Western art, Lam met André Breton, launching a long engagement with Surrealism. Upon his return to Cuba in 1941, Lam mined African art and Surrealist aesthetics to create a series of disquieting, hallucinatory works, many of which reference both Afro-Caribbean religious traditions and the history of European colonialism in the region. Painted rather late in Lam’s career, <em>Untitled</em> features two totemic figures suspended in an indeterminate space. With their curved horns, pointed beaks, blank eyes, and barbed wings, these hybrid forms suggest a supernatural world of spirits and demons.
Information
1965
Europe, France, Paris