On view
Haskell Education Center
Tazza with the Judgement of Moses,
1546
bowl by Jean de Court, active 1541–1564, Limoges, France; died before 1583
More Context
Handbook Entry
This footed bowl, or <em>tazza</em>, is the joint creation of Pierre Reymond, who signed and dated the foot, and Jean de Court, who initialed the bowl. The rarely illustrated scene, from Exodus 18:13–23, is based on an illustration by the Lyon printmaker Bernard Salomon (ca. 1508–1561) for Claude Paradin’s <em>Quadrins historiques de la Bible</em>, published in 1553; thus, the cup was painted later than the foot. Moses, enthroned in the camp of the Israelites as they wander in the desert, acts as judge for all disputes. Beside him, his father-in-law, Jethro, advises him to appoint additional judges to assist him in this task. The episode, which took place just before Moses received the Ten Commandments on Mount Sinai, was an important step in the founding of the Israelite polity. Limoges enamel makers illustrated other scenes from the life of Moses, which suggests that the objects were destined for a Calvinist clientele for whom the Hebrew Bible furnished a model for their own community governance. Religious art was forbidden in Calvinist temples, but objects with figural decoration were allowed for domestic display in Calvinist homes, where subjects from the Hebrew Bible would have been instructive and inspired emulation.
Information
1546
Europe, France, Limoges
Possibly Baron Lionel de Rothschild (1808-1879). possibly by descent in 1882 to Nathaniel de Rothschild (1840-1915) or Leopold de Rothschild (1845-1917). [Art market, Lucerne, Switzerland]; by purchase in the early 1950’s to Nancy Reilly Schultz (1930-2023) and Fredrick Schultz (1929-2009); by descent in 1994 to Frederick Schultz (b. 1954); [Frederick Schultz Ancient Art, Inc., New York, 2001]; purchase by Princeton University Art Museum, 2001.
- Jill Guthrie, ed., In celebration: works of art from the Collections of Princeton Alumni and Friends of The Art Museum, Princeton University, (Princeton, NJ: Princeton University Art Museum, 1997)., p. 151, cat. no. 147 (illus.)
- "Acquisitions of the Princeton University Art Museum 2001," Record of the Princeton University Art Museum 61 (2002): p. 101-142., p. 110
- Princeton University Art Museum: Handbook of the Collections (Princeton, NJ: Princeton University Art Museum, 2013), p. 186