The Sea [Rose Pastor Stokes, Caritas Island, Connecticut]
The Sea [Rose Pastor Stokes, Caritas Island, Connecticut]

Currently not on view

The Sea [Rose Pastor Stokes, Caritas Island, Connecticut],

1909, printed after 1917

Clarence H. White, 1871–1925; born West Carlisle, OH; died Mexico City, Mexico; active Ohio and New York
x1983-496
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More About This Object

Clarence H. White and His World: The Art and Craft of Photography, 1895-1925

Clarence H. White: Analysis & Collaborative Discovery

Information

Title
The Sea [Rose Pastor Stokes, Caritas Island, Connecticut]
Dates

1909, printed after 1917

Maker
Clarence H. White
Medium
Palladium print
Dimensions
image: 24.5 x 18.5 cm (9 5/8 x 7 5/16 in.) mount (1): 26.4 x 20.3 cm (10 3/8 x 8 in.) mount (2): 45.9 x 38.9 cm (18 1/16 x 15 5/16 in.) mat: 50.8 x 40.6 cm (20 x 16 in.) frame: 51.4 × 41.3 × 3.2 cm (20 1/4 × 16 1/4 × 1 1/4 in.)
Credit Line
The Clarence H. White Collection, assembled and organized by Professor Clarence H. White Jr., and given in memory of Lewis F. White, Dr. Maynard P. White Sr., and Clarence H. White Jr., the sons of Clarence H. White Sr. and Jane Felix White
Object Number
x1983-496
Place Made

North America, United States, Connecticut, Caritas Islands

Signatures
Signed on mat(1) in pencil, below right side of photo: Clarence H. White
Culture
American
Type
black-and-white photographs, photographs, platinum prints
Techniques
platinum process
Subject
figures (representations), women

Created by Clarence H. White Sr., the artist; by descent to Clarence H. White Jr., on or after July 8, 1925 [1]; by descent to Clarence H. White Jr.’s widow, Ruth Royer White, 1978 [2]; bequest, to Princeton University Art Museum, 1983 [3].
Notes:
[1]. Possibly on the occasion of Clarence H. White Sr.’s death, as part of the Clarence H. White Collection.
[2]. On the occasion of Clarence H. White Jr.’s death.
[3]. Carried out by Ruth Royer White on behalf of Clarence H. White Jr.

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The Museum regularly researches its objects and their collecting histories, updating its records to reflect new information. We also strive to catalogue works of art using language that is consistent with how people, subjects, artists, and cultures describe themselves. As this effort is ongoing, the Museum’s records may be incomplete or contain terms that are no longer acceptable. We welcome your feedback, questions, and additional information that you feel may be useful to us. Email us at collectionsinfo@princeton.edu.

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