On view
American Art
Wilmerding Pavilion
Sarah Shaw Anschutz Gallery
Wilmerding Pavilion
Sarah Shaw Anschutz Gallery
Nassau Hall, a North West Prospect,
1807, after engraving ca. 1764
Rev. Jonathan Fisher ;after engraving by Henry Dawkins, active ca. 1753–86, New York,, 1768–1847; born New Braintree MA; died Blue Hill, ME
after engraving by Henry Dawkins, active ca. 1753–86, New York, NY, and Philadelphia, PA
after engraving by Henry Dawkins, active ca. 1753–86, New York, NY, and Philadelphia, PA
PP395
American exceptionalism promotes the idea that the history of the United States is unique, but the forces that led to the nation’s establishment were broadly experienced throughout the Western Hemisphere. Beginning in the fifteenth century, European powers were motivated in their colonial pursuits by two fundamental ambitions—one sacred, one profane: the wish to practice and proselytize Christianity, and the desire to accumulate valuable natural resources and territory. This colonial paradigm was pursued by the English, French, and Spanish in North America and by primarily the Spanish and Portuguese in South America. It is embodied in Princeton University’s Nassau Hall, the subject of a large painting by the Rev. Jonathan Fisher, which functioned in its early years essentially as aa seminary training clergy to spread Christianity. The “Ideal Atrium,” portrayed by Valadés, imagines the setting conducive to missionary conversion in Central and South America. The colonial pursuit of material wealth is evinced by the sumptuous Peruvian casket made entirely of Andean silver and De Bry’s Fishing of the Inhabitants of Virginia conjures the abundant resources of North America, showing Indigenous people harvesting a wide variety of fish from manifestly plentiful waters.
Information
Title
Nassau Hall, a North West Prospect
Dates
1807, after engraving ca. 1764
Maker
Rev. Jonathan Fisher ;after engraving by Henry Dawkins, active ca. 1753–86, New York,
after engraving by Henry Dawkins
after engraving by Henry Dawkins
Medium
Oil on canvas
Dimensions
66.6 x 150.8 cm (26 1/4 x 59 3/8 in.)
frame: 79.4 x 162.6 cm (31 1/4 x 64 in.)
Credit Line
Princeton University, presented by alumni headed by A. E. Vondermuhll, Class of 1901
Object Number
PP395
Place Depicted
North America, United States, New Jersey, Princeton, Princeton University, Nassau Hall
Inscription
on bottom: A North-West Prospect of Nassau Hall with a Front View of the President's House in NJ, J. Fisher Pinxit from print 1807
Culture
Type
Subject
Donated to Princeton University by alumni headed by A. E. Vondermuhll, ca. 1930.
- Trenton: a royal province: New Jersey 1738-1776: June 9-September 9, 1973, (Trenton, NJ: New Jersey state museum, 1973). , p. 26-28 (illus.)
- William H. Gerdts, A Pleasant likeness, portraits and landscapes of central New Jersey, 1770-1920: an exhibition organized by the Historical Society of Princeton, New Jersey. [Held at] the Squibb Gallery, Princeton, New Jersey, 8 October through 19 November 1989, (Princeton, NJ: Squibb Corporation and Historical Society of Princeton, 1989).
- Buckner F. Melton, Aaron Burr: the rise and fall of an American politician, (New York: PowerPlus Books, 2004)., p. 14 (illus.)
- Barbara J. Mitnick, ed., New Jersey in the American Revolution, (New Brunswick, NJ: Rutgers University Press with Rivergate Books, 2005).,
- Gideon Mailer, John Witherspoon's American Revolution (Chapel Hill: University of North Carolina Press, 2017)., cover; p. 135 (illus.)