Day Mausoleaum, Norwood, Massachusetts [2/2]
Day Mausoleaum, Norwood, Massachusetts [2/2]

Currently not on view

Day Mausoleaum, Norwood, Massachusetts [2/2],

ca. 1905–1910

Clarence H. White, 1871–1925; born West Carlisle, OH; died Mexico City, Mexico; active Ohio and New York
x1983-785

Information

Title
Day Mausoleaum, Norwood, Massachusetts [2/2]
Dates

ca. 1905–1910

Maker
Clarence H. White
Medium
Platinum print
Dimensions
sheet: 18.9 x 23 cm (7 7/16 x 9 1/16 in.) opening: 21.3 x 24.9 cm (8 3/8 x 9 13/16 in.) mat: 46 x 35.6 cm (18 1/8 x 14 in.)
Credit Line
The Clarence H. White Collection, assembled and organized by Professor Clarence H. White Jr., and given in memory of Lewis F. White, Dr. Maynard P. White Sr., and Clarence H. White Jr., the sons of Clarence H. White Sr. and Jane Felix White
Object Number
x1983-785
Place Made

North America, United States, Massachusetts, Norwood

Signatures
Signed on mat, verso, in pencil, upsidedown, above center: Clarence H. White
Inscription
Inscribed inside mat, in pencil, upsidedown, right corner: Newport 12.50 Inscribed on mat, verso, written and circled in blue pencil, top left corner: 180 Inscribed on mat, verso, written in red pencil, top right corner: D Inscribed on mat, verso, written in pencil, above center: Day Mausoleum
Culture
American
Type
photographs
Techniques
platinum process
Subject
doors, buildings

Created by Clarence H. White Sr., the artist; by descent to Clarence H. White Jr., on or after July 8, 1925 [1]; by descent to Clarence H. White Jr.’s widow, Ruth Royer White, 1978 [2]; bequest, to Princeton University Art Museum, 1983 [3].
Notes:
[1]. Possibly on the occasion of Clarence H. White Sr.’s death, as part of the Clarence H. White Collection.
[2]. On the occasion of Clarence H. White Jr.’s death.
[3]. Carried out by Ruth Royer White on behalf of Clarence H. White Jr.

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The Museum regularly researches its objects and their collecting histories, updating its records to reflect new information. We also strive to catalogue works of art using language that is consistent with how people, subjects, artists, and cultures describe themselves. As this effort is ongoing, the Museum’s records may be incomplete or contain terms that are no longer acceptable. We welcome your feedback, questions, and additional information that you feel may be useful to us. Email us at collectionsinfo@princeton.edu.

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