Church, South Canaan, Connecticut [2/12]
Church, South Canaan, Connecticut [2/12]

Currently not on view

Church, South Canaan, Connecticut [2/12],

ca. 1916

Clarence H. White, 1871–1925; born West Carlisle, OH; died Mexico City, Mexico; active Ohio and New York
x1983-758

Information

Title
Church, South Canaan, Connecticut [2/12]
Dates

ca. 1916

Maker
Clarence H. White
Medium
Platinum print
Dimensions
image: 24.2 x 19.1 cm (9 1/2 x 7 1/2 in.) mount: 27.5 x 21.7 cm (10 13/16 x 8 9/16 in.)
Credit Line
The Clarence H. White Collection, assembled and organized by Professor Clarence H. White Jr., and given in memory of Lewis F. White, Dr. Maynard P. White Sr., and Clarence H. White Jr., the sons of Clarence H. White Sr. and Jane Felix White
Object Number
x1983-758
Place Made

North America, United States, Connecticut, South Canaan

Signatures
Signed on mount, recto, in pencil, below right side of photo: Photograph by Clarence H. White
Inscription
Inscribed on mount, verso, in blue pencil, crossed out, top left corner: 209 Inscribed on mount, verso, written and circled in blue pencil: 210 Inscribed on mount, verso, in red pencil, top right corner: c Inscribed on mount, verso, in black ink, above center: Snow Laden Pine/ Property of Mrs. Clarence H. White/ 460 W. 144th St./ N.Y. City.
Culture
American
Type
black-and-white photographs, photographs, platinum prints
Techniques
platinum process
Subject
landscapes (representations), buildings, snow, churches, trees

Created by Clarence H. White Sr., the artist; by descent to Clarence H. White Jr., on or after July 8, 1925 [1]; by descent to Clarence H. White Jr.’s widow, Ruth Royer White, 1978 [2]; bequest, to Princeton University Art Museum, 1983 [3].
Notes:
[1]. Possibly on the occasion of Clarence H. White Sr.’s death, as part of the Clarence H. White Collection.
[2]. On the occasion of Clarence H. White Jr.’s death.
[3]. Carried out by Ruth Royer White on behalf of Clarence H. White Jr.

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The Museum regularly researches its objects and their collecting histories, updating its records to reflect new information. We also strive to catalogue works of art using language that is consistent with how people, subjects, artists, and cultures describe themselves. As this effort is ongoing, the Museum’s records may be incomplete or contain terms that are no longer acceptable. We welcome your feedback, questions, and additional information that you feel may be useful to us. Email us at collectionsinfo@princeton.edu.

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