Temple of Dendur, Nubia
Temple of Dendur, Nubia

Currently not on view

Temple of Dendur, Nubia,

1849

David Roberts, 1796–1864; born Stockbridge, Scotland; died London, United Kingdom
Lithographs by Louis Haghe, 1806–1885; born Tournai, Belgium; died London, UK; active England
Published by Francis Graham Moon, 1796–1871; born London, UK; died Brighton; active London
2008-87
At the height of the Victorian era, the Scottish designer and illustrator David Roberts developed a successful career as a topographical painter and draftsman. In 1838, he embarked on an extensive tour of Egypt and the Holy Land, becoming one of the first British artists to record the Near East firsthand. Upon his return to London in 1839, with the encouragement of such notable sponsors as Queen Victoria, Roberts engaged the Belgian lithographer Louis Haghe to reproduce his meticulous drawings and watercolors in a series of six folio-sized color plate books. The enterprise was an immediate international sensation, with two thousand copies sold before publication.

Information

Title
Temple of Dendur, Nubia
Dates

1849

Maker
David Roberts
Lithographs by Louis Haghe
Published by Francis Graham Moon
Medium
Color lithograph
Dimensions
25.7 × 35.1 cm (10 1/8 × 13 13/16 in.)
Credit Line
Gift of Barnabas McHenry, Class of 1952, and Bannon McHenry in honor of Joel Smith
Object Number
2008-87
Place Made

Europe, England, London

Place Depicted

Africa, Egypt, Temple of Dendur

Inscription
Printed, lower left corner: Temple of Dandour [sic] – Nubia. Printed, lower right corner: David Roberts, R.A / L. Haghe, lith.
Reference Numbers
Abbey
Culture
Belgian, British, European
Type
prints, color lithographs
Materials
lithographic ink
Techniques
lithography
Subject
figures (representations), men, columns (architectural elements), lotus capitals, reliefs, temple, ruins

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The Museum regularly researches its objects and their collecting histories, updating its records to reflect new information. We also strive to catalogue works of art using language that is consistent with how people, subjects, artists, and cultures describe themselves. As this effort is ongoing, the Museum’s records may be incomplete or contain terms that are no longer acceptable. We welcome your feedback, questions, and additional information that you feel may be useful to us. Email us at collectionsinfo@princeton.edu.

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