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Welcoming the Japanese Army’s Triumphal Return from Asan (Gazan gaisen kangei no zu 牙山凱旋歡迎之圖),

1894 [Meiji 27], September

Adachi Ginkō 安達吟光, active 1874–1897
Published by Ayabe Hanji 綾部半次郎
Japanese
Meiji era, 1868–1912
2008-91 a-c

Information

Title
Welcoming the Japanese Army’s Triumphal Return from Asan (Gazan gaisen kangei no zu 牙山凱旋歡迎之圖)
Dates

1894 [Meiji 27], September

Medium
Woodblock print (ōban tate-e triptych); ink and color on paper
Dimensions
sheet (left): 35.9 × 23.5 cm (14 1/8 × 9 1/4 in.) sheet (center): 36.2 × 23.5 cm (14 1/4 × 9 1/4 in.) sheet (right): 36.1 × 23.5 cm (14 3/16 × 9 1/4 in.)
Credit Line
Allen R. Adler, Class of 1967, Japanese Print Collection
Object Number
2008-91 a-c
Place Made

Asia, Japan

Signatures
“Ojū Ginkō” 應需吟光 (in 2 lines, lower left of rightmost sheet)
Inscription
Five cartouches identify the most prominent figures in the composition. Middle sheet (2 military figures): Right: 長岡叁謀 Staff Officer Nagaoka; Left大島旋團長 Brigade Commander Ōshima Leftmost sheet (3 diplomatic figures): Right: 大鳥公使 Minister Ōtori; Center: 國王使 李允用 Korean King’s Messenger Yi Yun-yong (Ri Inyo); Right: 機務處員 鄭敬源 Officer of Deliberative Council Jeong Gyeong-won
Marks/Labels/Seals
One square yang seal beneath last half of artist’s signature (illegible – blurry printing) Two seals in lower left corner of leftmost sheet: • Single line, to the right: 杉山彫栄 (Censor’s seal?) • Larger publisher’s imprint (r>l): 明治廿七年 R: 九月 日印刷 L: 九月 日發行 臨字印刷兼発行者 日本槁区四日市町二番地 綾部半次
Culture
Period
Materials
Techniques

–2008 Collection of Ruth Leserman (Los Angeles, CA) and Allen R. Adler (New York, NY), co-ownership.
2008 Allen R. Adler (New York, NY), by gift to the Princeton University Art Museum, 2008.