On view
Ancient Mediterranean Art
Statuette of a draped and veiled woman,
end of the 4th century BCE
Greek, Boeotian, Tanagra
2011-41
Tanagra figurines like this one can be traced to a cemetery near the Boeotian city of Tanagra, in central Greece. The red-clay figures were generally made in molds and then coated with white slip and painted. Traces of red and blue pigments are still visible on the white in this example. The woman stands heavily draped with her himation, or mantle, wrapped snuggly around her head, framing her delicate facial features. She looks down and to the right but lifts her gaze slightly, as though acknowledging someone, a slight smile about her lips. The broad contours of her body are visible through the drapery, which in some places is pulled taut and in others hangs in folds, a torsional counterpoint that is a hallmark of Tanagra figurines and suggests a powerful sense of movement.
Information
Title
Statuette of a draped and veiled woman
Dates
end of the 4th century BCE
Medium
Terracotta
Dimensions
15 x 7.5 x 6 cm (5 7/8 x 2 15/16 x 2 3/8 in.)
Credit Line
Museum purchase, Carl Otto von Kienbusch Jr. Memorial Collection Fund, and the Classical Purchase Fund
Object Number
2011-41
Place Made
Greece, Tanagra, Boeotia
Culture
Period
Materials
Subject
Prince Johann II of Liechtenstein (1840-1929), Vienna, by 1920, where it was noted in an inventory of the collection compiled in 1920 by Dr. Julius Banko, of the Kunsthistorisches Museum, Vienna; Prince Hans Adam II of Liechtenstein, by descent; sold at Christie's, April 30, 2008, lot 103; purchased by Antiquarium, Ltd. and imported to US, June 2008; purchased by the Museum in 2011.
- Antiquities: including property from the collection of the princely House of Liechtenstein: Wednesday 30 April 2008, (London: Christie's, 2008). , lot 103
- Robin F. Beningson, Joseph A. Coplin, and Olga Poloukhine, Ancient treasures VII, (New York: Antiquarium, Ltd., 2009)., p. 35
- "Acquisitions of the Princeton University Art Museum 2011," Record of the Princeton University Art Museum 71/72 (2012-13): p. 75-132., pp. 90–91 (illus.)