On view

African Art

Ère ìbejì (commemorative twin figures) with tunic,

late 19th–early 20th century

Artist unrecorded
Yorùbá
2011-42
The portrayal of deceased children in fully mature bodies with large heads and intricate hairstyles began as a widespread practice among the Yoruba in the mid-eighteenth or early nineteenth century. Twin sculptures (ere ibeji) such as these, commissioned by parents who lost at least one of their twins, were ritually washed, clothed, and fed as a way to care for the inner soul (ori inu) of the lost child. These figures have been rubbed with red camwood paste and their hair painted with indigo blue to calm the head and thus the mood. Their surfaces have been smoothed by the hand of the mother performing a recurrent therapeutic process. The beaded tunic—with its diamond and interlace pattern—suggests that these ere ibeji belonged to a royal mother. The red, gold, and white color scheme of the beads refers to Sango, the Yoruba god who was the protector of twins.

The Yorùbá of southwestern Nigeria have the highest incidence of twin births in the world. Associated with divinity, twins bestow wealth. The loss of one twin might destabilize or cause the death of the other. If one twin dies, a figure is carved as a conceptual replacement to encourage the survivor. These ère ìbejì, named for the òrìṣà, or god, Ìbejì, are bedecked with expensive beads as a mark of honor and care. Such regalia derives from the principle that duality is derivative of balance, stability, and survival. The red, gold, and white beads of the tunic are reminiscent of Ṣàngó, the Yorùbá god of thunder, lightning, and electricity. The white is the insignia of Obatala, the creator god. Attention is paid to large eyes as ocular frames of vision. The red tukula pigment, typically used as rouge to beautify brides, emphasizes the care bestowed on twins as delicate vessels.

Dele Layiwola, Professor and Director of African Studies, University of Ibadan, Nigeria

More Context

Special Exhibition

Handbook Entry

More About This Object

Information

Title
Ère ìbejì (commemorative twin figures) with tunic
Dates

late 19th–early 20th century

Medium
Wood, tukula, metal, glass beads, cotton, abrus seeds, and leather
Dimensions
25.4 × 26 × 20.3 cm (10 × 10 1/4 × 8 in.)
Credit Line
Museum purchase, Fowler McCormick, Class of 1921, Fund
Object Number
2011-42
Place Made

Africa, Nigeria

Culture

[Pace Primitive and Ancient Art, New York, NY until 1980]; Nancy and Richard Bloch, Rancho Santa Fe, CA; [Property from the Collection of Nancy and Richard Bloch, Sotheby's New York, May 13, 2011, Lot 249]; purchased via the above sale by the Princeton University Art Museum, Princeton, NJ, May 13, 2011.