Studies for Saint Sebastian,

ca. 1592–96

From Mongan, “Drawings in the Platt collection”: Preliminary studies for the figure of St. Sebastian in the “Crucifixion” of Genoa Cathedral. (See reference Bib. 4472);

From Scholz, “Italian drawings...”: same level as spectacular example in Metropolitan or Head of Lady at Smith. (See reference Bib. 4382);

Studies for Saint Sebastian: Thigh of Right Leg; Whole Left Leg with Separate Studies for Thigh, Lower Leg, and Foot

• Agnes Mongan, "Drawings in the Platt Collection", American magazine of art 25, no. 1 (Jul., 1932): p. 47-54., p. 53
• Agnes Mongan, "Notes on drawings: Federigo Baroccio", Old master drawings 7, no. 25 (Jun., 1932): p. 5-6., p. 5-6; pl. 12, 13
• Harald Olsen, Federico Barocci: a critical study in Italian Cinquecento painting, (Stockholm: Almqvist & Wiksell, 1955)., p. 153
• Jacob Bean, Italian drawings in the Art Museum, Princeton University; 106 selected examples, (New York: October House, 1966)., no. 15
• Janos Scholz, "Italian Drawings in the Art Museum of Princeton University," Burlington Magazine 109 no. 770 (May, 1967): p. 290-299., p. 293
• Visions and revisions: [exhibition] Museum of Art, Rhode Island School of Design, Providence, October 10- November 24 1968, (Providence: Museum of Art, Rhodes Island of Design, 1968)., no. 7-2
• Felton Gibbons, Catalogue of Italian Drawings in The Art Museum, Princeton University, (Princeton, NJ: Princeton University Press, 1977)., Vol. 1: p. 198, no. 637 (illustrated in Vol. 2 under the same catalog number)
• Edmund P. Pillsbury, The graphic art of Federico Barocci: selected drawings and prints, (New Haven, CT: Yale University Art Gallery, 1978)., p. 83-84, cat. no. 62; p. 85 (illus.)
• Andrea Emiliani, Federico Barocci (Urbino 1535-1612), (Bologna: Nuova Alfa Editoriale, 1985)., Vol. 2: p. 309; p. 313, fig. 668

• Nathan Goldstein, Figure drawing: the structure, anatomy, and expressive design of human form, (Upper Saddle River, NJ: Pearson/Prentice Hall, 2004).

  ,
• Princeton University Art Museum: Handbook of the Collection (New Haven, CT: Yale University Press, 2007), p. 141 (illus.)
• Nathan Goldstein, Figure drawing: the structure anatomy, and expressive design of the human form, (Upper Saddle River, NJ: Pearson Education, 2010).
• Princeton University Art Museum: Handbook of the Collections (Princeton, NJ: Princeton University Art Museum, 2013), pg. 308
• Laura Giles, Lia Markey, Claire Van Cleave, et. al., Italian Master Drawings from the Princeton University Art Museum, (Princeton, NJ: Princeton University Art Museum, 2014)., p. 44, cat. no. 17; p. 45 (illus.); p. 46 (verso illus.); p. 257-258, app. no. 86; p. 258 (illus.)

• Exhibition of Drawings from the Collection of Dan Fellows Platt Loaned to the College Art Association, 1931 - 1932

• Italian Drawings in the Art Museum, Princeton University, October 14, 1966 - May 5, 1968