LIFE Magazine and the Power of Photography

J. R. Eyerman, Audience Watches Movie Wearing 3-D Spectacles, 1952. Gelatin silver print, 29.2 × 21.6 cm. Museum of Fine Arts, Boston, The Howard Greenberg Collection ©1952 The Picture Collection Inc. All rights reserved.

From the Great Depression to the Vietnam War, the vast majority of the photographs printed and consumed in the United States appeared on the pages of illustrated magazines. Offering an in-depth look at the photography featured in Life magazine throughout its weekly run from 1936 to 1972, this exhibition examines how the magazine’s use of images fundamentally shaped the modern idea of photography in the United States. The work of photographers such as Margaret Bourke-White, Larry Burrows, Henri Cartier-Bresson, Frank Dandridge, Gordon Parks, and W. Eugene Smith is explored in the context of the creative and editorial structures at Life. Drawing on unprecedented access to Life magazine’s picture and paper archives, as well as photographers’ archives, the exhibition presents an array of materials, including caption files, contact sheets, and shooting scripts, that shed new light on the collaborative process behind many now-iconic images and photo-essays.

Princeton University Art Museum, Princeton, New Jersey
February 22–June 21, 2020

Museum of Fine Arts, Boston, Massachusetts
August 19–December 13, 2020

Life Magazine and the Power of Photography has been organized by the Princeton University Art Museum and the Museum of Fine Arts, Boston.

The exhibition at Princeton is made possible by lead support from Jim and Valerie McKinney. Generous support is also provided by the Humanities Council’s David A. Gardner ’69 Magic Project, Princeton University; the National Endowment   for the Arts; and the Allen R. Adler, Class of 1967, Exhibitions Fund. Additional supporters include Christopher E. Olofson, Class of 1992; the Sara and Joshua Slocum, Class of 1998, Art Museum Fund; the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts; the Frederick Quellmalz, Class of 1934, Photography Fund; and the Brown Foundation Fellows Program at the Dora Maar House.

The accompanying publication is made possible with support from the Barr Ferree Foundation Fund for Publications, Department of Art and Archaeology, Princeton University; the Joseph L. Shulman Foundation Fund for Art Museum Publications; Annette Merle-Smith; and the Wyeth Foundation for American Art.