Currently not on view

Venice: The Lagoon Looking toward Santa Maria della Salute,

1894

Thomas Moran, 1837–1926; born Bolton, England; died Santa Barbara, CA
x1969-370

After achieving fame for his sweeping vistas of the American West and Southwest, Moran began traveling to Venice in the late 1880s, painting composite views on canvas and paper of the alluring city and its lagoon, which found a steady and appreciative audience. As demonstrated in this characteristically luminous example, Moran avoids topographical specificity by condensing the setting so that the various monuments—notably the tower in Piazza San Marco and the white-domed church of Santa Maria della Salute—are all visible within the same dreamy composition, evoking Venice’s evanescent beauty as if seen from the low perspective of a floating gondola.

Information

Title
Venice: The Lagoon Looking toward Santa Maria della Salute
Dates

1894

Maker
Medium
Watercolor and gouache over graphite
Dimensions
27.3 x 41.2 cm (10 3/4 x 16 1/4 in.)
Credit Line
Gift of Mrs. Philip T. White
Object Number
x1969-370
Place Depicted

Europe, Italy, Venice, Doge's Palace

Signatures
Signed and dated in maroon ink, lower right: TMORAN [TM as monogram] | 1894
Reference Numbers
American Drawings Catalog #37, Ross 105
Culture

George Willis Pack, Cleveland, Ohio; his granddaughter, Gladys T. White, Princeton, New Jersey;

Handwritten note: See files for letter from donor, Feb 25, 1975. Names of her grandfather was George Willis Pock. He purchased watercolor ca. 1888-1890. He was associated with Pack, Woods, and Co., Cleveland, Ohio, a lumber business. He was father of Beulah Pack Rollins, wife of Western Americana buff.;