© Martin Puryear
Currently not on view
Phrygian (Cap in the Air),
2012
Martin Puryear, born 1941, Washington, DC; active Accord, NY
Published and printed by Paulson Fontaine Press, Berkeley, CA
Published and printed by Paulson Fontaine Press, Berkeley, CA
2017-14
African American history informs a symbolic language that carries across Puryear’s work in sculpture, drawings, and prints. The curving shape in Phrygian is drawn from the soft felt caps with curling tips associated with emancipated Roman slaves and adopted as a symbol of freedom during the French and American revolutions. Wheeled carts bearing burdens are another repeated form, a powerful symbol of the historical weight of colonial trade among Europe, Africa, the Caribbean, and the United States—the basis of the economy of slavery. In Black Cart the imposing silhouette of a wagon evokes both the unequal burdens of labor and trade economies and the wagons used to transport runaway slaves along the Underground Railroad.
Information
Title
Phrygian (Cap in the Air)
Dates
2012
Maker
Medium
Color softground etching with spit bite, aquatint, and drypoint on chine collé
Dimensions
plate: 60.5 × 45.4 cm (23 13/16 × 17 7/8 in.)
sheet: 88.5 × 70.8 cm (34 13/16 × 27 7/8 in.)
Credit Line
Museum purchase, Felton Gibbons Fund
Object Number
2017-14
Place Made
North America, United States, California, Berkeley
Signatures
Numbered, signed, and dated in graphite below plate: 45/50 M. Puryear 2012
Marks/Labels/Seals
Printer's blindstamp at lower right
Culture
Materials
Techniques
Subject