© Uche Okeke
On view
Modern and Contemporary Art
Theodora Walton William Walton III Pavilion
Theodora Walton William Walton III Pavilion
Adam and Eve,
1965
Uche Okeke, 1933–2016; born and died Nimo, Nigeria; active Nsukka, Nigeria
2017-23
Okeke was a founding member of the Zaria Art Society, established in 1958 by a group of students at the University of Nigeria at Nsukka. Inspired by the Nigerian independence movement, these students sought to create a distinctive national artistic style through “natural synthesis,” fusing indigenous art forms with the academicism officially taught at universities during colonial rule. Okeke drew inspiration from uli, intertwining, curvilinear designs derived from nature used by Igbo women for body ornamentation and wall painting. Through the story of Adam and Eve, Okeke depicts a Judeo-Christian origin myth in a style that draws on the Igbo community’s traditions. Okeke became an influential professor and founder of the multigenerational group of artists known as the Nsukka School. Ten years after painting this work, he invited the Ghanian artist El Anatsui, whose work is on view on the opening wall, to teach at Nsukka.
Information
Title
Adam and Eve
Dates
1965
Maker
Medium
Oil on board
Dimensions
121 × 90 cm (47 5/8 × 35 7/16 in.)
frame: 125.9 × 95.1 × 6 cm (49 9/16 × 37 7/16 × 2 3/8 in.)
Credit Line
Museum purchase, Fowler McCormick, Class of 1921, Fund
Object Number
2017-23
Place Made
Africa, Nigeria, Nsukka
Signatures
Signed and dated lower right: Uche Okeke / 1965
Inscription
Inscribed on verso: UCHE OKEKE / ENUGU 1965
Culture
Type
Materials
Techniques
Subject
Collection of the artist's family, Nigeria, sold; to Princeton University Art Museum, 2017.