© Taiye Idahor
On view
African Art
Bosede,
2018
Taiye Idahor, born 1984, Lagos, Nigeria; active Lagos
2019-29
With her Ivie series, Idahor encourages women to gather strength from the power of the iyoba, the queen mother of the oba (king) of Benin. For centuries, the iyoba and other members of the Benin royal family have worn coral regalia that announces their wealth and status. Today, brides across Nigeria wear similar coral necklaces and headdresses, or more attainable plastic versions. To create Bosede, a common Yorùbá name, the artist printed a photograph of a woman wearing coral ivie (beads), then cut the portrait along the contours of the adornments, removing the under-lying body. The resulting void denies an objectifying gaze and highlights the power that ivie represent. The artist declares her Ivie series “a call for women to begin seeing the title of ‘woman’ as power in itself, to reclaim the respect that this position entitles them to, and to boldly occupy their place of authority in the world.”
More About This Object
Information
Title
Bosede
Dates
2018
Maker
Medium
Photo-paper collage, pen drawing, and color pencil on paper
Dimensions
112 × 80 cm (44 1/8 × 31 1/2 in.)
frame: 119.7 × 87.6 × 6.3 cm (47 1/8 × 34 1/2 × 2 1/2 in.)
Credit Line
Museum purchase, Sarah Lee Elson, Class of 1984, Fund for the International Artist-in-Residence Program at the Princeton University Art Museum
Object Number
2019-29
Place Made
Africa, Nigeria, Lagos
Type
Materials
Techniques
The artist; [Tyburn Gallery, London, UK]; purchased by the Princeton University Art Museum, 2018.