On view

Art of the Ancient Americas

Peg-based sculpture of a standing man,

350–100 BCE

Maya
Late Formative Period (Providencia phase)
2020-328
This is one of the few known peg-based sculptures of standing men. Most are associated with Kaminaljuyú, a site now enveloped and largely destroyed by the urban sprawl of Guatemala City. Scholars believe that this particular sculpture was made in the environs of Patzún, today a small Kaqchikel Maya community about eighty kilometers (fifty miles) west of Kaminaljuyú. The lack of context makes these works difficult to resituate culturally, but they may have served as portraits of community leaders and been set into plazas or other ceremonial locations, perhaps accompanied by additional sculptures to re-create important historical or mythical narratives. This work and related sculptures have holes chiseled though the clenched hands, suggesting that some now-lost implements were inserted when in use. The arrangement of multiple sculptures and the possibility of changing the implements that the figures held suggest that these objects likely had varied meanings.

More About This Object

Information

Title
Peg-based sculpture of a standing man
Dates

350–100 BCE

Medium
Andesite or basalt
Dimensions
h. 59.4 cm (23 3/8 in.)
Credit Line
Museum purchase, Peter Jay Sharp, Class of 1952, Fund
Object Number
2020-328
Place Made

North America, Guatemala, Chimaltenango, Maya area, Patzún or vicinity

Culture
Type
Materials
Subject

March 19, 1965, sold by Stendahl Galleries, Los Angeles, CA (inv. no. 10052) to Mr. and Mrs. Alan E. Schwartz, Detroit [1]; May 3, 2011, sold to Ancient Art of the New World, Miami; February 29, 2012, sold to The Fiore Arts Collection [2]; June 29, 2020, The Fiore Arts Collection sale, Christie’s Paris, lot 19, sold to the Princeton University Art Museum.

Notes:
[1] As per Stendahl ledger and invoice to Schwartz, copies in curatorial file. Corroborated by correspondence from Lee Parsons to Schwartz April 2, 1965, and from Doris Stone to Schwartz, Nov. 27, 1968, copies in curatorial file.
[2] According to Christie’s auction catalogue.