Currently not on view

Study for a Decorative Wall Frieze with Telamons,

ca. 1570–75

Marco da Faenza (Marco Marchetti), Italian, 1528–1588
x1981-119

These two decorative studies document the work of Marco Marchetti, an artist celebrated in his own time for fresco projects with lively and inventive grotesques, which he executed in palaces in Rome, Florence, and his hometown of Faenza. Both sketches are preliminary ideas for an elaborate wall frieze carried out by Marchetti for the Faenza residence of nobleman Cavalier Silvestro Rondinini.
These drawings are also important for the history of collecting: they were annotated by Father Sebastiano Resta, a renowned and discerning collector of drawings in seventeenth-century Italy. One of the sheets bears a letter written by Resta to Father Giuseppe Del Voglia in Palermo, urging him to include the drawings in his album of decorative drawings, as examples of Marchetti’s draftsmanship. In the letter, which is signed and dated 1691 and sent from Faenza, Resta explains that he had recently obtained these drawings from the local painter Tommaso Missiroli. Only in 1981 were the two studies reunited in Princeton.

Information

Title
Study for a Decorative Wall Frieze with Telamons
Dates

ca. 1570–75

Medium
Pen and brown ink, with brush and brown wash and graphite, on tan laid paper
Dimensions
17.9 × 25.7 cm (7 1/16 × 10 1/8 in.) frame: 32.1 × 39.7 × 2.9 cm (12 5/8 × 15 5/8 × 1 1/8 in.)
Credit Line
Museum purchase, Laura P. Hall Memorial Fund
Object Number
x1981-119
Inscription
Inscribed recto, along right, in brown ink (in hand of Padre Resta): P[adre] Giuseppe Del Voglia Mio Si[gno]re. / Nel mio viaggio di Mil[an]o passo per / Faenza, e trovo questo disegno / di Marco Marchetti da Faenza / di cui scrive la vita il Baglione, / e come nel libro degl’arabeschi / che tributai al merito di V[ostra] R[everenza] ve / ne sono altri di questo stile le / invio anche il presente, acciò / se ne trovasse de simili notati / ad altro Autore li corregga il / nome e li ascriva a questo Marco/ faentino. Questo è donatomi dal S[ignor] / Villani Pittor faentino. Che qui mi / addita l’opera in pittura in [sopra deleted] / una sala del S[ignor] Co[nte] Pietro Mazzolani / di Faenza. Proseguo il viaggio di [. . .] V[ostra] R[everenza] Dev[otissi]mo et ob[ligatissi]mo S[ervitore] Seb[astian]o Resta / Faenza / 27 Se[ttem]bre / 1690 (Father Giuseppe Del Voglia, My Lord. In my journey to Milan I passed through Faenza, and I found this drawing by Marco Marchetti da Faenza, whose life Baglione wrote, and since in the libro degl’arabeschi, which I gave in honor of Your Reverence, there are others in this style, I am also sending you the present one, so that if any others that resemble it were found, annotated as by other authors, you could correct their name and ascribe it to this Marco of Faenza. This was given to me by Signor Villani, a painter of Faenza, who has pointed out to me the [related] painted work in a room of Count Pietro Mazzolani of Faenza. I continue my journey [. . .]. Your Reverence’s Most Devoted and Most Obliging Servant, Sebastiano Resta. Faenza, September 27, 1690); inscribed recto, lower left, in brown ink (by a different hand): Non potea fare ammanco di scrivere queste ciacolature sopra il disegno, ed imbrattarlo (He could not resist writing these chatterings on the drawing, and defiling it)
Culture

Tommaso Missiroli, called Il Villano (ca. 1636–1699), Faenza; Padre Sebastiano Resta; Giuseppe Del Voglia, Palermo; Pietro Scarpa, Venice.;