On view

American Art
Wilmerding Pavilion
Libby Anschutz Gallery

John Kintzing Kane,

1827

John Neagle, 1796–1865; born Boston, MA; died Philadelphia, PA
y1945-207
Although signed and dated 1828 on the book at lower left, portraitist Neagle’s ledger indicates that his rendering of John Kintzing Kane was actually completed the year before. The prominent Philadelphia lawyer had shocked his Federalist peers by supporting Democrat Andrew Jackson, whose election as president in 1828 garnered Kane the position of city solicitor that year—a plausible reason for the insertion of the later date as a commemorative gesture. The portrait occupies an important place in Neagle’s work in being among the first to show its subject in action rather than self-consciously posing. Depicted consulting a presumably legal volume, Kane looks to his left, against the rightward cant of his book and body, supplying a pictorial animation amplified by the shadows surrounding him, in keeping with the increased expressiveness and liveliness of Romantic-era portraiture.

More Context

Handbook Entry

Information

Title
John Kintzing Kane
Dates

1827

Maker
Medium
Oil on canvas
Dimensions
77 × 64 cm (30 5/16 × 25 3/16 in.) frame: 98.7 × 85.4 × 8.9 cm (38 7/8 × 33 5/8 × 3 1/2 in.)
Credit Line
Museum purchase
Object Number
y1945-207
Place Made

North America, United States, Pennsylvania, Philadelphia

Signatures
Signed and dated lower left: J. Neagle pt. 1828.
Culture
Materials

Commissioned by John Kintzing Kane (1795-1858); acquired by Bayard Stockton (1853-1928) and Helen Hamilton (Shields) Stockton (1864-1949), granddaughter of the patron, Morven House, Princeton (NJ) [1]; purchased by the Princeton University Art Museum from Helen Hamilton Stockton, 1945. [1] According to a letter by Frank Jewett Mather, Jr., dated December 14, 1944, the painting was part of the estate of the late Bayard Stockton.