On view

American Art
Wilmerding Pavilion
The Anschutz-Hunt Family Gallery

Passing Shower in the Tropics,

1872

Frederic Edwin Church, 1826–1900; born Hartford, CT; died New York, NY
y1945-212
Church was the primary pupil of Hudson River School founder Thomas Cole (1801–1848), who imparted to his gifted student the notion of land- scape painting as a vehicle for conveying ideas about nature. For Church, the natural world was most truthfully represented as a series of adjacent environments shaped by changes in altitude and characterized by corresponding variations of flora and fauna. His art articulated an early perception of earth’s fundamentally integrated character, anticipating the advent of ecology. These traits were an abiding concern for the artist following his exposure to the influential theories of the German naturalist Alexander von Humboldt (1769–1859). Church visited South America twice during the 1850s, producing a series of grand tropical scenes that combine panoramic vistas with minute, accurate detail. This later, modestly scaled painting similarly focuses on precise atmospheric effects and the representation of nature according to discrete climatic zones.

More Context

Frederic Church was the primary pupil of the Hudson River School’s founder, Thomas Cole, who imparted to his technically gifted student the notion of landscape painting as a vehicle for conveying ideas about history, divinity, and the human condition. These concepts were complemented by the writings of naturalist Alexander von Humboldt, whose <em>Cosmos</em> inspired Church to visit South America in search of sublime subject matter with which to express his pantheistic apprehension of the natural world. Church produced a series of spectacular paintings of tropical scenes that combine panoramic scope with precise, accurate detail, proposing and offering revelation through scientific knowledge. <em>Passing Shower in the Tropics</em>, a modestly scaled iteration of these South American subjects, shares with other, later examples of the type a focus on atmospheric effects and the apparent representation of an amalgam of locations rather than a single particular site.

More About This Object

Information

Title
Passing Shower in the Tropics
Dates

1872

Medium
Oil on canvas
Dimensions
31 × 51 cm (12 3/16 × 20 1/16 in.) frame: 51.6 × 72.5 × 9.7 cm (20 5/16 × 28 9/16 × 3 13/16 in.) frame (original frame): 41.8 × 62.5 × 3.1 cm (16 7/16 × 24 5/8 × 1 1/4 in.)
Credit Line
Museum purchase
Object Number
y1945-212
Place Depicted

South America

Signatures
Signed and dated: F. E. Church - '72.
Culture
Materials

[Robert C. Vose, Boston (MA), by July 11, 1945 [1]]; purchased by the Princeton University Art Museum, July 11, 1945. [1] A label from Vose was once on the back of the painting. It was scraped off when the painting was stolen in October 1963.