Currently not on view
Madonna and Child with Two Angels
school of Lorenzo di Credi, Italian, ca. 1456–1536
y1957-64
Information
Title
Madonna and Child with Two Angels
Maker
school of Lorenzo di Credi
Medium
Tempera on wood panel
Dimensions
tondo: 85.2 cm (33 9/16 in.)
frame: 114 × 10.2 cm (44 7/8 × 4 in.)
Credit Line
Gift of Stanley Mortimer, Class of 1919
Object Number
y1957-64
Place Made
Europe, Florence, Tuscany
Culture
Materials
Subject
Rev. W. G. Beardmore, London. Sir George Elliot, K.C.B., Rackheath Park, Norwich. Stanley Mortimer, Sr; 1957 gift to Princeton University Art Museum.
- Wilhelm Reinhold Valentiner, A catalogue of early Italian paintings exhibited at the Duveen Galleries, (New York: Duveen Galleries, 1926)., no. 17
- Bernhard Degenhart, "Die Schüler des Lorenzo di Credi", Münchner Jahrbuch der bildenden Kunst 9 (1932): p. 95-161., p. 128
- Bernard Berenson, Italian pictures of the Renaissance: a list of the principal artists and their works, with an index of places, (Oxford, UK: Clarendon Press, 1932)., p. 268
- Moritz Hauptmann, Der Tondo: Ursprung, Bedeutung und Geschichte des Italienischen Rundbildes in Relief und Malerei, (Frankfurt am Main: V. Klostermann, 1936). , p. 215
- Bernard Berenson, Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere, con un indice dei luoghi, (Milano: U. Hoepli, 1936)., p. 231
- Frances Follin Jones, "Recent aquisitions of Ancient Art", Record of the Art Museum, Princeton University, 17, no. 1 (1958): p. 41–43., p. 43
- Helen Comstock, "The connoisseur in America", Connoisseur 148, no. 597 (Nov., 1961): p. 262-266, p. 262 (illus.)
- Gigetta Dalli Regoli, Lorenzo di Credi, (Milano: Edizioni di Comunita, 1966). , p. 183; fig. 233
- H.R.H., "The Art Museum at Princeton University: a selection from the collections", Art Journal 26, no. 2 (Winter, 1966-1967): p. 172+174+176+178., p. 178, fig. 14
- Samuel Nathaniel Behrman, Duveen, (London: Hamish Hamilton, 1972).
- B. B. Fredericksen and F. Zeri, Census of pre-nineteenth-century Italian paintings in North American collections, (Cambridge, MA: Harvard University Press, 1972)., p. 99
- Everett Fahy, Some followers of Domenico Ghirlandajo, (New York: Garland, 1976)., p. 186
