On view

American Art
Wilmerding Pavilion
Philip & Nancy Anschutz Gallery

Oyster Boats, North River,

1879

John Henry Twachtman, 1853–1902; born Cincinnati, OH; died Gloucester, MA
y1959-69
Twachtman began his career practicing the dark, direct, vigorous style of painting taught at the Royal Academy in Munich, where he was a student. Returning to the United States in 1878, he settled in New York and was elected to the progressive Society of American Artists the following year, when Oyster Boats was painted. Typical of the artist’s dexterous manipulation of paint in highly visible brushstrokes during this initial phase of his career, this work exudes a gritty immediacy appropriate to its subject: a group of oyster-dredging sloops docked along southern Manhattan, most likely on the Hudson River around Tenth Street. Although Twachtman died before turning fifty, his art evolved through several distinct stylistic phases, suggesting the restlessness with which he and other artists came to terms with the challenges and possibilities of Modernism at the end of the nineteenth century.

Information

Title
Oyster Boats, North River
Dates

1879

Medium
Oil on canvas
Dimensions
41.9 × 61 cm (16 1/2 × 24 in.) frame: 65.4 × 85.9 × 5.7 cm (25 3/4 × 33 13/16 × 2 1/4 in.)
Credit Line
Bequest of Gilbert S. McClintock, Class of 1908
Object Number
y1959-69
Place Depicted

North America, United States, New York

Signatures
Signed and dated, lower left: J. H. Twachtman N.Y. 79
Culture
Materials

[Babcock Gallery, New York (NY), by 1920 [1]]. [Macbeth Gallery, New York (NY), by 1922 [2]]. Purchased by Gilbert S. McClintock (1886-1959), Wikes-Barre, Pennsylvania, by 1931 [3]; bequeathed to the Princeton University Art Museum, 1959. [1] On April 7-21, 1921, the gallery lent the painting to the Dallas Art Association for an exhibition (Second Annual Exhibition: American and European Art, no. 274). [2] The painting was exhibited by the gallery as part of their Sixth Exhibition of “Intimate Paintings” between November 21-December 11, 1922. A label with the name of the gallery is currently on the back of the painting. [3] The painting is mentioned as part of the McClintock collection in