On view
Bracelet,
18th–19th century
I had this idea to involve my mother in putting this caption together. I wanted her in a sort of conversation or song about the Portuguese, as portrayed on the bracelet. Well, it didn’t work out. This is because the only memory my mother had of foreigners in Benin was of the British expedition in 1897. It is surprising to me how this long and very important part of the history of the Benin Kingdom has been erased in my mother’s memory by that one event, as though that history did not exist in her young years. Although to erase would mean it was once present. So was it? I will not speculate further, but we know that it is always easier to destroy than to build.
Taiye Idahor, artist, Lagos, Nigeria
More Context
Handbook Entry
This brass openwork bracelet is decorated with repeating figures and was originally one of a pair of wrist cuffs. A male figure representing a Portuguese navigator alternates with the figure of a noblemen on horseback, each one appearing twice. The equestrian may represent the divine king, who alone may own horses. The man is one of many portrayed in Edo court arts after Portuguese traders began traveling to Benin City in the late fifteenth century. Edo peoples drew parallels between the Portuguese sailors and the god Olokun, who crosses water and brings wealth to the living. The openwork lattice pattern, elaborate surfaces, and dynamic use of space attest to the artistry of the royal brass-casting guilds. Similar bracelets, carved in ivory, are reserved for the king.
More About This Object
Information
18th–19th century
Africa, Nigeria, Benin Kingdom
- "Summary of Acquisitions, 1963," Record of the Art Museum, Princeton University, vol. 23, no. 1 (1964): p. 29-31., p. 31
- "Gifts by J. Lionberger Davis, Class of 1900, to the Art Museum", Record of the Art Museum, Princeton University 33, no. 2 (1974): p. 24-30., p. 30
- "Selected checklist of objects in the collection of African art," Record of the Art Museum, Princeton University 58, no. 1/2 (1999): p. 77–83., p. 78
- Princeton University Art Museum: Handbook of the Collection (New Haven, CT: Yale University Press, 2007), p. 263 (illus.)
- Princeton University Art Museum: Handbook of the Collections (Princeton, NJ: Princeton University Art Museum, 2013), p. 279