Currently not on view
Ruins of the Temple of Hera at Selinunte,
1877
Friedrich Nehrlich, German, 1807–1878
y1978-38
A German who worked in both Rome and Venice, Nehrlich catered to northern travelers. His romantic views of Venice at sunset or by moonlight must have been best sellers, judging by the number that pass through salesrooms today. This view of the one of the largest Greek temples in Sicily, painted near the end of his life, is unusual in its theme and anecdotal detail. Although there are no human subjects, a drama takes place beneath the lowering sky, amid the scattered remains of columns apparently cast down by an earthquake. A mangy dog approaches a griffin vulture’s nest atop a broken column. The mother bird has deserted the nest in an attempt to drive the predator away from her egg, as the father bird swoops in to aid its mate.
Information
Title
Ruins of the Temple of Hera at Selinunte
Dates
1877
Maker
Medium
Oil on canvas
Dimensions
52 x 84.5 cm (20 1/2 x 33 1/4 in.)
frame: 64.5 × 96 × 6 cm (25 3/8 × 37 13/16 × 2 3/8 in.)
Credit Line
Museum purchase, Caroline G. Mather Fund
Object Number
y1978-38
Place Depicted
Europe, Italy, Sicily, Temple of Hera, Selinunte
Signatures
Signed on recto, lower right: F. Nerly
Signed and dated in paint: F. Nerly p. 1877
Culture
Type
Subject
Gallery Caroll, Munich (in 1978; sold to Meissner); Galerie Kurt Meissner, Zurich (in 1978; sold to Princeton University Art Museum).