Currently not on view
The Kiss of Judas,
after 1589–90
after Ludovico Carracci, 1555–1619; born and died Bologna, Italy
y1987-67
Information
Title
The Kiss of Judas
Dates
after 1589–90
Maker
after Ludovico Carracci
Medium
Oil on canvas
Dimensions
80 × 97 cm (31 1/2 × 38 3/16 in.)
frame: 104.8 × 122.2 × 7 cm (41 1/4 × 48 1/8 × 2 3/4 in.)
Credit Line
Museum purchase, Fowler McCormick, Class of 1921, Fund
Object Number
y1987-67
Place Made
Europe, Bologna
Culture
Type
Subject
Tanari family, Bologna (by 1640–at least 1840); private collection, Rome (by 1973); private collection, Paris (by 1976); Whitfield Fine Art Limited, London (in 1987; sold to Princeton University Art Museum).
- Andrea Emiliani, La Collezione Zambeccari nella Pinacoteca nazionale di Bologna: indagine di metodo per la realizzazione di un catalogo storico e critico delle raccolte statali bolognesi, (Bologna: Pinacoteca Nazionale, 1973). , p. 254 (Z. 104); p. 255 (Z. 126)
- Carlo Volpe, "Sugli inizi di Ludovico Carracci", Paragone. Arte 27, no. 317/319 (Jul.-Sept., 1976): p. 115-129., p. 115-129; fig. 91
- "Acquisitions of the Art Museum 1987", Record of the Art Museum, Princeton University 47, no. 1 (1988): p. 30-54., p. 44
- Gail Faigenbaum, "The Kiss of Judas by Lodovico Carracci," Record of the Art Museum, Princeton University 48, no. 1 (1989): p. 2-17., p. 2, fig. 1; p. 6, fig. 5; p. 14, fig. 15
- Chronique des arts: supplément à la Gazette des beaux-arts (Mar., 1989)., p. 31; fig. 167
- Maria Silvia Campanini and Andrea Emiliani, Ludovico Carracci, (Bologna: Nuova Alfa Ed., 1993). , p. 52-54; cat. no. 24 (illus.)
- Kristina Herrmann Fiore, "Caravaggio's 'Taking of Christ' and Dürer's Woodcut of 1509", Burlington magazine 137, no. 1102 (Jan., 1995): p. 24-27., p. 26-27; fig. 32
- Gian Piero Cammarota, Le origini della Pinacoteca nazionale di Bologna: una raccolta di fonti, (Bologna: Minerva; Pinacoteca nazionale di Bologna, 1997-2004). , Vol. 3: p. 307; note 126
- ed. Franco Mormando, Saints & sinners: Caravaggio & the Baroque image, (Chestnut Hill, MA: McMullen Museum of Art, Boston College; Chicago, IL: Distributed by the University of Chicago Press, 1999)., pl. 28 (color); p. 179ff
- Keith Christiansen, "Ludovico Carracci's newly recovered 'Lamentation'", Burlington magazine 142, no. 1168 (Jul., 2000): p. 416-422., p. 422; note 38
- Anne Summerscale, Malvasia's life of the Carracci commentary and translation, (University Park, PA: Pennsylvania State University Press, 2000)., p. 313-314; note 537
- Alessandro Brogi, Ludovico Carracci: (1555-1619), (Bologna: Tipoarte, 2001). , Vol. 1: p. 243-45; cat. A3; Vol. 2: pl. 254
- Erich Schleier, "Su tre quadri inediti o poco noti di Annibale e di Ludovico Carracci", Studi di storia dell'arte 13 (2002): p. 125-148., p. 125-148; p. 144, fig. 12
- Keith Christiansen, "A late masterpiece by Ludovico Carracci: the Tanari 'Denial of St Peter'", Burlington magazine 145, no. 1198 (Jan., 2003): p. 22-29., p. 23
-
Sybille Ebert-Schifferer, Caravaggio: Sehen, Staunen, Glauben: der Maler und sein Werk, (Munich: C.H. Beck Verlag, 2009).
, p. 49; fig. 21 (illus.) - Joan Acocella, "Betrayal, should we hate Judas Iscariot?", Books (2011?).
- Lorenzo Pericolo, Caravaggio and pictorial narrative: dislocating the "Istoria" in early modern painting, (London: Harvey Miller Publishers, 2011).
- David Franklin and Sebastian Schutze, Caravaggio and his circle in Rome: a barbaric and brutal manner, (New Haven, CT: Yale University Press, 2011)., fig. 74; p. 259 (illus.)
