On view
American Art
Wilmerding Pavilion
Philip & Nancy Anschutz Gallery
Wilmerding Pavilion
Philip & Nancy Anschutz Gallery
The Fates Gathering in the Stars,
after 1884
Elihu Vedder, 1836–1923; born New York, NY; died Rome, Italy
y1979-57
This dark and sinuous work is Vedder’s interpretation of three quatrains from the Rubáiyát of Omar Khayyám, a compilation of verse by the twelfth-century Persian polymath loosely translated into English by Edward FitzGerald in 1859. The poems proved enormously popular, and in 1884 Vedder produced an illustrated version based on his drawings. The book was acclaimed as a masterwork of American art, and the artist made several paintings after individual images from it, including this one. Curiously, neither the Fates, figures of Greek mythology who determine human destiny, nor the stars are referred to in Khayyám’s text. Rather, as Vedder described it, he “carried the idea of the poet a step farther and represented the game as being played with the universe instead of merely with man.” Vedder thus took liberties with Khayyám’s verse that were similar to those FitzGerald took in translating it.
Information
Title
The Fates Gathering in the Stars
Dates
after 1884
Maker
Medium
Oil on canvas
Dimensions
44 × 33.8 cm (17 5/16 × 13 5/16 in.)
frame: 64.3 × 54.8 × 10.8 cm (25 5/16 × 21 9/16 × 4 1/4 in.)
Credit Line
Museum purchase, Caroline G. Mather Fund
Object Number
y1979-57
Place Made
Europe, Italy, Rome
Signatures
Signed lower right: Vedder
Culture
Type
Inherited by Anita Vedder (1973-1954), daughter of the artist, ca. 1923; acquired by George R. Barse, Jr. (1861-1938), Katonah, New York, at an unspecified time; inherited by his niece, Mrs. Mary P. Bernardo, Katonah, 1938; acquired by Graham D. Williford (1926-2006), Texas, 1970; [Berry-Hill Galleries, New York (NY), 1973]; purchased from the above by Dr. Robert P. Coggins, at an unspecified time [1]; [Christie, Manson and Woods International, Inc., New York (NY), American Paintings, drawings and sculpture of the 18th, 19th and 20th centuries, October 24, 1979, n. 115]; purchased from the above by the Princeton University Art Museum, October 24, 1979. [1] For the provenance up to this poin