Currently not on view
Bird Song,
1896
Kenyon Cox, American, 1856–1919
y1979-58
Cox was a leading proponent of the American Renaissance, a conservative movement that advocated timeworn, academic aesthetics because of their perceived universal appeal and ability to act as a beneficial, unifying social force. A master draftsman, in works such as Bird Song the artist evoked a timeless classical ideal through legible design and accessible subject matter, in contrast to emerging, more abstract styles. He promoted his conventional views as an influential instructor at New York’s Art Students League, where over a twenty-five-year career he insisted that "artists who still follow the old roads do so, not from ignorance or stupidity or a stolid conservatism, still less from willful caprice, but from necessity; because those roads are the only ones that can lead them where they wish to go."
Information
Title
Bird Song
Dates
1896
Maker
Medium
Oil on canvas
Dimensions
44.3 x 29.5 cm. (17 7/16 x 11 5/8 in.)
frame: 63 × 48.5 × 6 cm (24 13/16 × 19 1/8 × 2 3/8 in.)
Credit Line
Museum purchase, John Maclean Magie, Class of 1892, and Gertrude Magie Fund
Object Number
y1979-58
Signatures
Signed and dated, lower right: K.C. / 1896
Culture
Type