On view
Ancient Mediterranean Art
Statue of Dionysos,
ca. 14–45 CE
Roman
Tiberian to Julio-Claudian
y1989-24
In Roman art, the Greek god Dionysos (or Bacchus in the Roman tradition), could be shown as an infant, a handsome youth, or a bearded man. This youthful god was based on the so-called Westmacott Ephebe, a statue by the fifth century BCE Greek sculptor Polykleitos. Although his head is missing, we can identify the god through the inclusion of one of his attributes, a panther skin, draped over his chest and back. The remnants of a rectangular strut behind his right calf indicate there once was another figure or object here, possibly a panther. The figure’s right arm and shoulder were repaired in antiquity, as indicated by dowel channels and drill holes, one of which retains a metal pin. The detailed texturing on the animal skin and the soft modeling and smooth surfaces of the god’s body suggest that this statue was made in the early first century CE.
Information
Title
Statue of Dionysos
Dates
ca. 14–45 CE
Medium
Marble
Dimensions
99.6 x 31.6 x 25.9 cm (39 3/16 x 12 7/16 x 10 3/16 in.)
Credit Line
Museum purchase, gift of John B. Elliott, Class of 1951
Object Number
y1989-24
Place Collected
Europe, Italy ?, Rome
Materials
Subject
Museum purchase from Robin Symes
- "Acquisitions of the Art Museum 1989," Record of the Art Museum, Princeton University 49, no. 1 (1990): p. 24-57., p. 54
- J. Michael Padgett, ed., Roman sculpture in The Art Museum, Princeton University, (Princeton, NJ: Art Museum, Princeton University, 2001)., p. 374-376; cat. no. 161
- Elizabeth Bartman, "Eros' flame: images of sexy boys in Roman ideal sculpture", Elaine K. Gazda, ed., The ancient art of emulation: studies in artistic originality and tradition from the present to classical antiquity, (Ann Arbor, MI: University of Michigan Press, 2002)., p. 255-256; fig. 11.4
- Princeton University Art Museum: Handbook of the Collection (New Haven, CT: Yale University Press, 2007)
- Princeton University Art Museum: Handbook of the Collections (Princeton, NJ: Princeton University Art Museum, 2013), p. 279