On view

American Art
Wilmerding Pavilion
Sarah Shaw Anschutz Gallery

James Greene,

ca. 1780

attributed to Winthrop Chandler, 1747–1790; born and died Woodstock, CT
y1993-9
In the late eighteenth century, the practice of writing was a mark of distinction. Writing connoted the transaction of commerce, law, correspondence, and other affairs considered gentlemanly, as seen in three of these portraits of accomplished American citizens. In contrast is a depiction of the successful published poet Annis Boudinot Stockton, a politically active correspondent of George Washington—and likely the most literate among the group. She is portrayed without reference to writing or other qualities that defined her public persona, reflecting the era’s patriarchal gender conventions. In place of a quill, she holds a flower, a symbol of fertility, positioned in such a way as to draw attention to her décolletage rather than to her intellectual capabilities. Washington recognized her talents, writing to Stockton about one of her poems, “I think the easy, simple, and beautiful strains with which the dialogue is supported, does great justice to your genius.”

Information

Title
James Greene
Dates

ca. 1780

Maker
attributed to Winthrop Chandler
Medium
Oil on canvas
Dimensions
78.5 × 63.8 cm (30 7/8 × 25 1/8 in.) frame: 88 × 73 × 6.3 cm (34 5/8 × 28 3/4 × 2 1/2 in.)
Credit Line
Gift of Polly Irwin in memory of Donald McDonald Irwin, Class of 1939, brother of Wallace Irwin Jr., Class of 1940, father of Donald Paulding Irwin, Class of 1965, and great, great, great, great grandson of James Greene
Object Number
y1993-9
Place Made

North America, United States

Culture
Materials

Bought by Will Irwin (1873-1948) from an aunt or cousin in the Greene line of descendants; inherited by his son William Hyde Irwin (1903-1982), Brookdale (CA), 1948; donated to his cousin Donald McDonald Irwin (d. 1991), and his wife Polly (Sarah Paulding Ray) Irwin, 1969 [1]; donated to the Princeton University Art Museum by Polly Irwin, 1993. [1] According to a letter dated October 25, 1969, from William Hyde Irwin to Donald and Polly. The letter is currently pasted to the back of the painting. Donald and William Hyde Irwin were great, great, great, great-grandsons of the sitter.