© 2013 Artists Rights Society (ARS), New York / SIAE, Rome
Currently not on view
Vortex with Radiations,
1913–14
The eldest and most versatile of the Italian Futurists—whose art championed the subjects of technology and speed—Balla was also the first to experiment with pure abstraction, translating his observations of movement (scampering dachshunds, rotating tires, swooping birds) into a language that celebrated the dynamism of motion, light, and sound. This gestural drawing explores the vortex and relates to several paintings and assemblages (called "plastic complexes") carried out by Balla in 1913–14.
Information
1913–14
- "Acquisitions of the Princeton University Art Museum 2004," Record of the Princeton University Art Museum 64 (2005): p. 91-135., p. 110
- Laura Giles, Lia Markey, Claire Van Cleave, et. al., Italian Master Drawings from the Princeton University Art Museum, (Princeton, NJ: Princeton University Art Museum, 2014)., p. 138, cat. no. 56 (illus.); p. 228, app. no. 9 (illus.)