Currently not on view
Glyph (head variant K'in sign with -ni phonetic complement),
600–800
Maya
Late Classic Period
2006-5
Information
Title
Glyph (head variant K'in sign with -ni phonetic complement)
Dates
600–800
Medium
Stucco with traces of blue pigment
Dimensions
h. 9.2 cm., w. 10.8 cm., d. 3.8 cm. (3 5/8 x 4 1/4 x 1 1/2 in.)
Credit Line
Museum purchase, Fowler McCormick, Class of 1921, Fund
Object Number
2006-5
Place Made
North America, Mexico, Chiapas or Tabasco, Maya area, Palenque or vicinity
Culture
Period
1942 Excavated by Heinrich Berlin, Temple XVIII, Palenque, Chiapas, Mexico
1942->/=1950s Palenque bodega/museum
<6/19/71-12/13/71 Aaron Furman Gallery, New York
12/13/71-11/25/96 Art Institute of Chicago (1971.738, Restricted gift of the Alsdorf Foundation)
11/25/96 Sotheby's (NYC), Sale 6921, November 25, 1996, Lot 366 (“Property sold by the Order of the Board of Trustees of The Art Institute of Chicago to benefit the Acquisitions Fund")
<1/22/97-1/20/06 Private collection (on loan to Princeton University Art Museum as L.1997.1)
1/20/06 Purchased by Princeton University Art Museum from the above
1942->/=1950s Palenque bodega/museum
<6/19/71-12/13/71 Aaron Furman Gallery, New York
12/13/71-11/25/96 Art Institute of Chicago (1971.738, Restricted gift of the Alsdorf Foundation)
11/25/96 Sotheby's (NYC), Sale 6921, November 25, 1996, Lot 366 (“Property sold by the Order of the Board of Trustees of The Art Institute of Chicago to benefit the Acquisitions Fund")
<1/22/97-1/20/06 Private collection (on loan to Princeton University Art Museum as L.1997.1)
1/20/06 Purchased by Princeton University Art Museum from the above
-
Miguel Angel Fernández and Heinrich Berlin, “Drawings of Glyphs of Structure XVIII, Palenque,” Notes on Middle American Archaeology and Ethnology 5, no. 119 (1954): 39-44.
, Fig 1-28 (illus.) -
Sotheby's, Pre-Columbian Art, sale code 6921 BINIGULAZA (New York, November 25, 1996)
, lot 79 (illus.) - "Acquisitions of the Princeton University Art Museum 2006," Record of the Princeton University Art Museum 66 (2007): p. 41-74., p. 61