On view
American Art
Wilmerding Pavilion
Sarah Shaw Anschutz Gallery
Wilmerding Pavilion
Sarah Shaw Anschutz Gallery
Johnathan Dickinson Sergeant,
1786
Charles Willson Peale, 1741–1827; born Chester, MD; died Philadelphia, PA
PP164
In the late eighteenth century, the practice of writing was a mark of distinction. Writing connoted the transaction of commerce, law, correspondence, and other affairs considered gentlemanly, as seen in three of these portraits of accomplished American citizens. In contrast is a depiction of the successful published poet Annis Boudinot Stockton, a politically active correspondent of George Washington—and likely the most literate among the group. She is portrayed without reference to writing or other qualities that defined her public persona, reflecting the era’s patriarchal gender conventions. In place of a quill, she holds a flower, a symbol of fertility, positioned in such a way as to draw attention to her décolletage rather than to her intellectual capabilities. Washington recognized her talents, writing to Stockton about one of her poems, “I think the easy, simple, and beautiful strains with which the dialogue is supported, does great justice to your genius.”
Information
Title
Johnathan Dickinson Sergeant
Dates
1786
Maker
Medium
Oil on canvas
Dimensions
sight: 90.2 × 67.7 cm (35 1/2 × 26 5/8 in.)
frame: 104.8 × 82.5 × 6.3 cm (41 1/4 × 32 1/2 × 2 1/2 in.)
Credit Line
Princeton University, gift of Jonathan Dickinson Sergeant III
Object Number
PP164
Place Made
North America, United States
Signatures
Signed and dated, middle left: C.W. Peale, pinx 1786
Culture
Type
Jonathan Dickinson Sergeant III, grandson of the sitter; bequeathed to Princeton University, 1910.
Jonathan Dickinson Sergeant (1746–1793), Class of 1762, A.M. 1765
- Donald D. Egbert, Princeton Portraits, (Princeton, NJ: Princeton University Press, 1947)., fig. 222, pp 317-329
- David C. Ward, "Celebration of self: the portraiture of Charles Willson Peale and Rembrand Peale, 1822-1827", American art 7, no. 1 (Winter, 1993): p. 8-27., 9-27
- Karl Kusserow et al., Inner sanctum: memory and meaning in Princeton’s Faculty Room at Nassau Hall, (Princeton, NJ: Princeton University Art Museum, 2010)., p. 60, fig. 12 (illus.)