Currently not on view
Adam,
1505–09
after Albrecht Dürer, 1471–1528; born and died Nuremberg, Germany
One of the most celebrated Italian Renaissance printmakers, Raimondi carefully studied ancient sculpture and Dürer’s prints. In this sketch after Dürer’s 1504 engraving of Adam and Eve, Raimondi altered the proportions and stance of the athletic Adam while creatively converting him into a classical and handless statue.
During his stay in Venice in 1506, Dürer famously took Raimondi to court for copying some of his religious woodcuts as engravings and appropriating his monogram—thus initiating one of the first documented disputes over intellectual property. The court ruled that although Raimondi could continue to make copies of Dürer’s prints, Dürer had exclusive copyright to his monogram.
More About This Object
Information
1505–09
Pen and brown ink
19.5 × 10.9 cm (7 11/16 × 4 5/16 in.)
frame: 54.8 × 41.9 × 3.5 cm (21 9/16 × 16 1/2 × 1 3/8 in.)
Gift of Frank Jewett Mather Jr.
in graphite, verso upper left: L 15
in graphite, upper right: P/220
Victor Litta, Milan;
Carlo Prayer [Lugt 2044].
Frank Jewett Mather Jr.[Lugt 1853a];
Gift to the Princeton University Art Museum
- Exhibition of drawings by old masters from the private collection of Prof. Frank Jewett Mather: International Art Center of Roerich Museum: December 18th to 31st, 1930, (New York: Roerich Museum, 1930)., no. 89
- Peter B. Blanchard, Rona Goffen and David Steadman, Copies as originals: translations in media and techniques, (Princeton, NJ: Art Museum, Princeton University, 1974)., no. 7; p. 32 (illus.)
- Felton Gibbons, Catalogue of Italian Drawings in The Art Museum, Princeton University, (Princeton, NJ: Princeton University Press, 1977).
- Wendy Stedman Sheard, Antiquity in the Renaissance, (Northampton, MA: Smith College Museum of Art, 1978)., no. 15
- Innis H Shoemaker, Elizabeth Broun and Helen Foresman, The engravings of Marcantonio Raimondi, (Lawrence, KS: Spencer Museum of Art, University of Kansas; Chapel Hill, NC: Ackland Art Museum, University of North Carolina, 1981)., p. 64, fig. 18
- Marzia Faietti and Konrad Oberhuber, Bologna e lʼumanesimo, 1490-1510, (Bologna: Nuova Alfa, 1988)., p. 197-199; cat. no. 52
- Gian Mario Anselmi and Marzia Faietti, Humanismus in Bologna: 1490-1510, (Bologna: Nuova Alfi Ed., 1988).
-
Anna Forlani Tempesti. "Italian Fifteenth- to Seventeenth- Century Drawings." Vol. 5 of The Robert Lehman Collection (New York: Metropolitan Museum of Art, 1991).
, p. 152 - Sabine Frommel, Bologna crocevia e capitale della migrazione artistica: forestieri a Bologna e bolognesi nel mondo, secoli XV-XVI, (Bologna: Bononia University Press, 2010)., Gibbons 1977, 164–65, no. 506
- Laura Giles, Lia Markey, Claire Van Cleave, et. al., Italian Master Drawings from the Princeton University Art Museum, (Princeton, NJ: Princeton University Art Museum, 2014)., p. 219, cat. no. 94; p. 220 (illus.); p. 251, app. no. 251 (illus.)
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