On view

African Art

Anthropomorphic power object,

20th century, before 1970

Artist unrecorded
Senufo
2017-158

This sculpture takes the form of a human-shaped figure covered in a dark cloth outfit similar to those worn by masqueraders. Dark matter covering the surface hints at the plants, feathers, earth, and other materials that went into its making. For over a century, observers in present-day Burkina Faso, Côte d’Ivoire, and Mali have noted that makers of accumulative objects study flora, fauna, and minerals as well as intangible energies. The makers use their expert knowledge to help individuals and communities address challenges in their lives. They select and incorporate disparate materials to respond to specific circumstances. Through their manipulation of matter and energy, the specialists concentrate potent forces in the objects to create tools that aid them in their work. The objects often demonstrate their sophisticated knowledge without disclosing everything that the experts know. Exact details about the materials and methods of the objects’ making remain deliberately ambiguous.

Susan Elizabeth Gagliardi, Professor, Art History, Emory University

Information

Title
Anthropomorphic power object
Dates

20th century, before 1970

Medium
Wood, bamboo or cane, cloth, feathers, plant fiber, and organic material
Dimensions
71.1 × 20.3 × 12.7 cm (28 × 8 × 5 in.)
Credit Line
Museum acquisition from the Holly and David Ross Collection
Object Number
2017-158
Place Made

Africa, Burkina Faso

Culture
Techniques

Purchased by Rolf Miehler, Munich, Germany, in Abidjan, Ivory Coast, 1970; [Pace Primitive, New York, NY]; Harry Kelley Rollings (1927-2018), Tucson, AZ; [Helene Leloup (1927-), Paris, France]; James Freeman, Washington, DC and Tokyo, Japan; [Lucien van de Velde, Antwerp, Belgium, 1998]; Sotheby's, Important African and Oceanic Art, May 25, 1999, New York, NY, Lot 344; purchased via the above sale by Holly and David Ross, Princeton, NJ, May 25, 1999; purchased by the Princeton University Art Museum, Princeton, NJ, 2017.