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Landscapes after Song and Yuan Masters,
1712
Wang Hui 王翬, 1632–1717; born Yushan, China
Chinese
Qing dynasty, 1644–1912
y1982-99 a-h
One of the most dynamic painters of his era, Wang Hui was capable of almost any technical style. He was commissioned by the emperor to create large-scale imperial paintings and was in high demand among literati patrons of the south. Although Wang Hui was known as one of the “Six Orthodox Masters” of the early Qing period, and emphasized brushwork in his paintings accordingly, he was less concerned with strict stylistic emulation of an Orthodox canon than his contemporaries were. Qian Du praised Wang Hui by associating his color with ancient painters: “his [early] blue and green style was somewhat common, but in his later years [it became] excellent, and by the end he came close to the ancients.”
Information
Title
Landscapes after Song and Yuan Masters
Dates
1712
Maker
Medium
Album of 8 leaves; ink and color on paper
Dimensions
Album: 48 x 37.5 x 1.5 cm. (18 7/8 x 14 3/4 x 9/16 in.)
Credit Line
Gift of Mrs. Edward L. Elliott
Object Number
y1982-99 a-h
Place Made
Asia, China
Signatures
signed
Inscription
dated 1712
Marks/Labels/Seals
Three columns of characters in ink on label adhered to album cover
Culture
Period
Subject
- "Acquisitions of the Art Museum 1982", Record of the Art Museum, Princeton University 42, no. 1 (1983): p. 50-70., p. 68 (illus.)
- Wen C. Fong, Images of the mind: selections from the Edward L. Elliott family and John B. Elliott collections of Chinese calligraphy and painting at the Art Museum, Princeton University, (Princeton, NJ: The Art Museum, Princeton University, 1984)., cat. no. 6