Currently not on view
Giuliano de’ Medici,
ca. 1565
Giovanbattista Naldini, Italian, 1535–1591
after Michelangelo Buonarroti, 1475–1564; born Caprese Michelangelo, Italy; died Rome, Italy
after Michelangelo Buonarroti, 1475–1564; born Caprese Michelangelo, Italy; died Rome, Italy
x1948-762
Michelangelo’s celebrated tomb sculptures, including seated figures of two Medici dukes, were installed in the New Sacristy of San Lorenzo in 1534. These works were copied by generations of artists from Florence and beyond. Among them was Naldini, whose expressive graphic style, influenced by Jacopo Pontormo, is visible in the vibrating superimposed contours visible in the right hand of Lorenzo and the left foot of Giuliano. Their scale and high degree of finish set these drawings apart from most contemporary academic copies. It has been convincingly proposed that the Dutch engraver Cornelis Cort used Naldini’s drawings as the basis for his engraved views of the New Sacristy (1570), which capture the glistening surfaces of Michelangelo’s statues in a similar manner.
Information
Title
Giuliano de’ Medici
Dates
ca. 1565
Maker
Medium
Black chalk, stumped, erased, and heightened with white gouache, on tan laid paper
Dimensions
43 × 29.4 cm (16 15/16 × 11 9/16 in.)
frame: 61.1 × 45.7 × 3.2 cm (24 1/16 × 18 × 1 1/4 in.)
Credit Line
Bequest of Dan Fellows Platt, Class of 1895
Object Number
x1948-762
Inscription
Inscribed recto, lower left, in brown or black ink:
Batista Naldini da michelangiolo
Reference Numbers
Gibbons 454
Culture
Type
Materials
Subject
From Scholz, “Italian drawings...”: add little to show but to show how he trained at feet of great. (See reference Bib. 4382);
- Jacob Bean, Italian drawings in the Art Museum, Princeton University; 106 selected examples, (New York: October House, 1966)., no. 23
- Janos Scholz, "Italian Drawings in the Art Museum of Princeton University," Burlington Magazine 109 no. 770 (May, 1967): p. 290-299., p. 294
- Peter B. Blanchard, Rona Goffen and David Steadman, Copies as originals: translations in media and techniques, (Princeton, NJ: Art Museum, Princeton University, 1974)., no. 21; p. 92 (illus.)
- Felton Gibbons, Catalogue of Italian Drawings in The Art Museum, Princeton University, (Princeton, NJ: Princeton University Press, 1977)., Vol. 1: p. 21, no. 52 (illustrated in Vol. 2 under the same catalog number)
- Larry J. Feinberg, From studio to studiolo: Florentine draftsmanship under the first Medici grand dukes, (Oberlin, OH: Allen Memorial Art Museum, Oberlin College; Seattle, WA: Distributed by University of Washington Press, 1991).
- Veronika Birke and Janine Kertesz, Die Italienischen Zeichnungen der Albertina: Generalverzeichnis, (Wien; Köln; Weimar: Böhlau Verlag, 1992-1997)., Vol. 1: p. 212, mentioned under entry for inv. 278
- Elizabeth Pilliod, "Reviewed work: from studio to studiolo: Florentine draftsmanship under the first Medici grand dukes [exhibition catalogue] by Larry J. Feinberg", Master drawings 32, no. 4 (Winter, 1994): p. 387-392., p. 388, fig. 1; p. 392, under no. 29
- Mario Di Giampaolo, Disegno italiano antico: artisti e opere dal Quattrocento al Settecento, (Milano: Fenice 2000, 1994)., p. 33 (illus.)
- Paul Joannides, Michelangelo and his influence: drawings from Windsor Castle, (Washington: National Gallery of Art; London: Lund Humphries Publishers, 1996)., p. 144, no. 45
- Barbara Brejon de Lavergnée, Catalogue des dessins italiens: collection du Palais des beaux-arts de Lille, (Paris: Réunion des musées nationaux; Lille: Palais des beaux-arts de Lille, 1997)., p. 405, cat. no. 1099
- Ernst-Gerhard Güse und Alexander Perrig, Zeichnungen aus der Toskana: das Zeitalter Michelangelos, (München: Prestel, 1997)., p. 178, mentioned in conjunction with Naldini no. 48-761; p. 179 (illus.)
- Laura Giles, Lia Markey, Claire Van Cleave, et. al., Italian Master Drawings from the Princeton University Art Museum, (Princeton, NJ: Princeton University Art Museum, 2014)., p. 83, cat. no. 34; p. 84 (illus.); p. 86 (verso illus.)
