Currently not on view

Plum Blossoms,

mid-18th century

Ike Taiga 池大雅, 1723–1776; born and died Kyoto, Japan
Japanese
Edo period, 1603–1868
2014-83

Information

Title
Plum Blossoms
Dates

mid-18th century

Medium
Hanging scroll; ink on paper
Dimensions
Painting: 27.8 × 51 cm (10 15/16 × 20 1/16 in.) mount: 116.5 × 60.8 cm (45 7/8 × 23 15/16 in.) overall: 117 × 66 cm (46 1/16 × 26 in.)
Credit Line
Gift of Kurt Gitter and Alice Yelen
Object Number
2014-83
Place Made

Asia, Japan

Signatures
Signed lower left, placed inside the main branch of the plum blossom: 霞樵寫 "Kashō sha"
Inscription
Poem inscribed bottom right: 摽土塵外瀟灑 精神湖南如處 誰此真知 東山縣圃叟題 The branches grow beyond the noisy world./ It is a natural and unrestrained feeling. / The tasteful appearance of Konan (Hunan). / Who knows its true meaning?” / “inscribed by the old fellow of Higashiyama holy mountain" Refers to an area of Kyoto with a high density of temples, shrines, and forest. This corresponds to Taiga’s frequent pilgrimages through Japan, his love of nature, and time spent learning the principles of Zen Buddhism. Taiga is known for painting whatever he wished for patrons, and sold his works publicly.
Marks/Labels/Seals
Artist, “Ka” 霞, “shō” 樵, paired semicircular relief seals, bottom left
Description

Plum Blossoms is a small hanging scroll and a classic example of the Nanga, or “Southern Painting,” School, of which Ike no Taiga was a prominent contributor. Nanga is also commonly known as the Bunjinga, or Literati School of painting.

In the painting, Taiga’s rough brushwork forms the thick trunk of a plum tree that rises from the bottom left corner of the scroll. The trunk branches off into the upper and lower sections of the scroll, leaving one narrow stem that reaches just to the top right corner. A smaller stem extends into the lower left corner. Taiga has depicted the leaves as dark spots of ink, and painted rounded flower petals in lighter and darker washes. The abstract ink tones and lighter wash create contrast, which renders depth and allows viewers to envision the texture of the branch, the layers of lighter, pink plum blossoms, and the three-dimensional space into which the branch grows.

Ike no Taiga was born in Kyoto in 1723, studied Chinese classics and calligraphy from an early age, and became an accomplished artist by the age of fourteen. He taught himself to paint in the Nanga style, and is considered one of Japan’s greatest literati artists. Taiga was also an accomplished calligrapher. Plum Blossoms reflects his ability in its rough yet precise brushwork and lack of affectation. These are also characteristics of Nanga or Bunjinga painting, which were influenced by Southern Song (1127–1279) paintings in China. Artists working during the Southern Song period were directly responding to the formal and technical Northern Song (960–1127) academic painting style, and sought to create works that could freely interpret or mimic the rhythm of nature. Plum Blossoms accomplishes this goal with its fluid manner. The subject of the painting is also a traditional symbol from Chinese arts: plum blossoms are considered to be one of the “four gentlemen,” or symbols of the four seasons. As plum blossoms are a symbol of winter and a sign of the coming spring, their beauty against winter snow represents perseverance and the ability to flourish in a harsh environment.

Culture

–2014 Kurt Gitter and Alice Yelen (New Orleans, LA), by gift to the Princeton University Art Museum, 2014.